5.0
Table Of Contents
- Table of Contents
- About this manual
- VST Connections: Setting up input and output busses
- The Project window
- Playback and the Transport panel
- Recording
- Fades, crossfades and envelopes
- The mixer
- Audio effects
- VST Instruments and Instrument tracks
- Automation
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- Working with Track Presets
- Remote controlling Cubase AI
- MIDI realtime parameters
- MIDI processing and quantizing
- The MIDI editors
- Introduction
- Opening a MIDI editor
- The Key Editor - Overview
- Key Editor operations
- The Drum Editor - Overview
- Drum Editor operations
- Working with drum maps
- Using drum name lists
- The List Editor - Overview
- List Editor operations
- Working with System Exclusive messages
- Recording System Exclusive parameter changes
- Editing System Exclusive messages
- The Score Editor - Overview
- Score Editor operations
- Editing tempo and signature
- Export Audio Mixdown
- Synchronization
- Video
- File handling
- Customizing
- Key commands
- Index
247
Synchronization
8. Open the Send Routing pop-up menu for one of the
sends, and select the VST System Link bus assigned to
the reverb in step 3.
9. Use the Send slider to adjust the amount of effect as
usual.
The signal will be sent to the track on computer 2 and pro-
cessed through its insert effect, without using any proces-
sor power on computer 1.
You can repeat the steps above to add more effects to the
“virtual effect rack”. The number of effects available this way
is only limited by the number of ports used in the VST Sys-
tem Link connection (and of course by the performance of
computer 2, but given that it will not have to handle any re-
cording or playback, you should be able to use quite a lot of
effects).
Getting extra audio tracks
All computers on a VST System Link network are locked
with sample-accuracy. Therefore, if you find that the hard
drive on one computer is not fast enough to run as many
audio tracks as you need, you can record new tracks on
one of the other computers instead. This would create a
“virtual RAID system”, with several disks all operating to-
gether. All tracks will remain locked together just as tightly
as if they were all running on the same machine. This
means that you effectively have an unlimited track count!
Need another 100 tracks? Just add another computer.