5.0
Table Of Contents
- Table of Contents
- About this manual
- VST Connections: Setting up input and output busses
- The Project window
- Playback and the Transport panel
- Recording
- Fades, crossfades and envelopes
- The mixer
- Audio effects
- VST Instruments and Instrument tracks
- Automation
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- Working with Track Presets
- Remote controlling Cubase AI
- MIDI realtime parameters
- MIDI processing and quantizing
- The MIDI editors
- Introduction
- Opening a MIDI editor
- The Key Editor - Overview
- Key Editor operations
- The Drum Editor - Overview
- Drum Editor operations
- Working with drum maps
- Using drum name lists
- The List Editor - Overview
- List Editor operations
- Working with System Exclusive messages
- Recording System Exclusive parameter changes
- Editing System Exclusive messages
- The Score Editor - Overview
- Score Editor operations
- Editing tempo and signature
- Export Audio Mixdown
- Synchronization
- Video
- File handling
- Customizing
- Key commands
- Index
170
MIDI realtime parameters
2. Use the two fields to the right to set the minimum and
maximum values.
These values will be shown as numbers (0–127) for the velocity modes
and as note numbers (C-2 to G8) for the pitch modes.
Ö Note that you can make independent settings for the
two Range functions.
• To deactivate the Range function, pull down the Range
pop-up menu(s) and select “OFF”.
MIDI Fader section
This contains a single channel strip, allowing you to set
volume, pan, mute/solo and other parameters for the track,
and a panel view of the active sends/inserts. This is a “mir-
ror” of the track’s channel strip in the Cubase AI mixer –
see “The MIDI channel strips” on page 73.
VST Instrument section
If the MIDI track is routed to a VST Instrument, a new sub-
panel will appear at the bottom of the Inspector, labeled
with the name of the VST instrument. Clicking this section
shows a duplicate of the Inspector settings for the VST In-
strument channel. This makes it easy to adjust the channel
settings for the VST Instrument while you are editing the
MIDI track.
• If the VST Instrument has multiple outputs (and thus
several mixer channels), there will be a setting called
“Output” at the top of the VST Instrument section.
New sub-panels will also be added in the following cases:
• When a MIDI track is routed to an effect plug-in that also re-
ceives audio data, i.e. that is used as an insert effect for an au-
dio track (e.g. MIDI Gate), a sub-panel for this audio track
appears in the MIDI track inspector.
• If a MIDI track is routed to a plug-in assigned to a FX Channel
track, a corresponding FX sub-panel is added to the Inspector.
Ö For an easy way to combine MIDI and VST instruments,
check out instrument tracks (see “VST Instruments and In-
strument tracks” on page 99).
Note Limit This function allows you to specify a pitch range, and
forces all notes to fit within this range. Notes outside the
specified range are transposed up or down in octave
steps until they fit within the range.
Note: If the range is too “narrow”, so that some notes
cannot be fit within the range by octave-transposing,
these notes will get a pitch in the middle of the range. For
example, if you have a note with a pitch of F3, and the
range is C4-E4, that note will be transposed to D4.
Note Filter Note Filter works by excluding all notes with pitches out-
side the specified range. Notes lower than the Min set-
ting or higher than the Max setting will not be played
back. Use this to “isolate” notes with certain pitches.
Mode Description