5.0
Table Of Contents
- Table of Contents
- About this manual
- VST Connections: Setting up input and output busses
- The Project window
- Playback and the Transport panel
- Recording
- Fades, crossfades and envelopes
- The mixer
- Audio effects
- VST Instruments and Instrument tracks
- Automation
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- Working with Track Presets
- Remote controlling Cubase AI
- MIDI realtime parameters
- MIDI processing and quantizing
- The MIDI editors
- Introduction
- Opening a MIDI editor
- The Key Editor - Overview
- Key Editor operations
- The Drum Editor - Overview
- Drum Editor operations
- Working with drum maps
- Using drum name lists
- The List Editor - Overview
- List Editor operations
- Working with System Exclusive messages
- Recording System Exclusive parameter changes
- Editing System Exclusive messages
- The Score Editor - Overview
- Score Editor operations
- Editing tempo and signature
- Export Audio Mixdown
- Synchronization
- Video
- File handling
- Customizing
- Key commands
- Index
164
Remote controlling Cubase AI
5. Use the pop-up menu to the right to select a bank.
Banks are combinations of a certain number of channels, and are used be-
cause most MIDI devices can control only a limited number of channels at
a time (often 8 or 16). For example, if your MIDI control device has 16 vol-
ume faders, and you are using 32 mixer channels in Cubase AI, you would
need two banks of 16 channels each. When the first bank is selected you
control channel 1 to 16; when the second Bank is selected you control
channel 17 to 32. Since you can control Transport functions as well, you
may need several banks.
6. Set up the table at the top according to the controls
on your MIDI control device.
The columns have the following functionality:
• If you find that the table at the top holds too many or too
few controls, you can add or remove controls with the Add
and Delete buttons to the right of the table.
• If you are uncertain of which MIDI message a certain
controller sends, you can use the Learn function.
Select the control in the upper table (by clicking in the Control Name co-
lumn), move the corresponding control on your MIDI device and click the
Learn button to the right of the table. The MIDI Status, MIDI Channel and
Address values are automatically set to those of the moved control.
7. Use the table at the bottom to specify which Cubase
AI parameters you want to control.
Each row in the table is associated to the controller in the corresponding
row in the first table (as indicated by the Control Name column). The
other columns have the following functionality:
8. If necessary, make settings for another bank.
Note that you only need to make settings in the bottom table for this bank.
The table at the top is already set up according to the MIDI remote device.
• If necessary, you can add banks by clicking the Add
button below the Bank pop-up.
Clicking the Rename button allows you to assign a new name to the cur-
rently selected bank, and you can remove an unneeded bank by selecting it
and clicking the Delete button.
Column Description
Control Name Double-clicking this field allows you to enter a descriptive
name for the control (typically a name written on the con-
sole). This name is automatically reflected in the Control
Name column in the lower table.
MIDI Status Clicking in this column pulls down a pop-up menu, allow-
ing you to specify the type of MIDI message sent by the
control. The options are Controller, Program Change, Note
On, Note Off, Aftertouch and Polyphonic Pressure. Also
available are Continuous Control NRPN and RPN, a way
to extend the available control messages. The “Ctrl JLCoo-
per” option is a special version of a Continuous Controller
where the 3rd byte of a MIDI message is used as address
instead of the 2nd byte (a method supported by various
JL-Cooper remote devices).
MIDI Channel Clicking in this column opens a pop-up menu, allowing
you to select the MIDI channel on which the controller is
transmitted.
Address The Continuous Controller number, the pitch of a note or
the address of a NRPN/RPN Continuous Controller.
Max. Value The maximum value the control will transmit. This value is
used by the program to “scale” the value range of the MIDI
controller to the value range of the program parameter.
Flags Clicking in this column pulls down a pop-up menu, allow-
ing you to activate or deactivate three flags:
Receive – activate this if the MIDI message should be
processed on reception.
Transmit – activate this if a MIDI message should be trans-
mitted when the corresponding value in the program
changes.
Relative – activate this if the control is an “endless” rotary
encoder, which reports the number of turns instead of an
absolute value.
Column Description
Device Clicking in this column pulls down a pop-up menu, used
for determining which device in Cubase AI should be
controlled. The special option “Command” allows you to
perform certain command actions by remote control. One
example of this is the selection of remote banks.
Channel/
Category
This is where you select the channel to be controlled or, if
the “Command” Device option is selected, the Command
category.
Value/Action Clicking in this column pulls down a pop-up menu, allow-
ing you to select the parameter of the channel to be
controlled (typically, if the “VST Mixer” Device option is
selected you can choose between volume, pan, send
levels, EQ, etc.).
If the “Command” Device option is selected, this is where
you specify the “Action” of the category.
Flags Clicking in this column pulls down a pop-up menu, allow-
ing you to activate or deactivate three flags:
Push Button – When activated, the parameter is only
changed if the received MIDI message shows a value
unequal to 0.
Toggle – When activated, the parameter value is switched
between minimum and maximum value each time a MIDI
message is received. The combination of Push Button and
Toggle is useful for remote controls which do not latch the
state of a button. One example is controlling mute status
with a device on which pressing the Mute button turns it
on, and releasing the Mute button turns it off. If Push But-
ton and Toggle are activated, the Mute status will change
between on and off whenever the button is pressed on the
console.
Not Automated – When activated, the parameter will not
be automated.