User manual
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- Setting up your system
- VST Connections
- The Project window
- Working with projects
- Creating new projects
- Opening projects
- Closing projects
- Saving projects
- The Archive and Backup functions
- Startup Options
- The Project Setup dialog
- Zoom and view options
- Audio handling
- Auditioning audio parts and events
- Scrubbing audio
- Editing parts and events
- Range editing
- Region operations
- The Edit History dialog
- The Preferences dialog
- Working with tracks and lanes
- Playback and the Transport panel
- Recording
- Quantizing MIDI and audio
- Fades, crossfades and envelopes
- The arranger track
- The transpose functions
- Using markers
- The Mixer
- Control Room (Cubase only)
- Audio effects
- VST instruments and instrument tracks
- Surround sound (Cubase only)
- Automation
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- The MediaBay
- Introduction
- Working with the MediaBay
- The Define Locations section
- The Locations section
- The Results list
- Previewing files
- The Filters section
- The Attribute Inspector
- The Loop Browser, Sound Browser, and Mini Browser windows
- Preferences
- Key commands
- Working with MediaBay-related windows
- Working with Volume databases
- Working with track presets
- Track Quick Controls
- Remote controlling Cubase
- MIDI realtime parameters and effects
- Using MIDI devices
- MIDI processing
- The MIDI editors
- Introduction
- Opening a MIDI editor
- The Key Editor – Overview
- Key Editor operations
- The In-Place Editor
- The Drum Editor – Overview
- Drum Editor operations
- Working with drum maps
- Using drum name lists
- The List Editor – Overview
- List Editor operations
- Working with SysEx messages
- Recording SysEx parameter changes
- Editing SysEx messages
- The basic Score Editor – Overview
- Score Editor operations
- Expression maps (Cubase only)
- Note Expression (Cubase only)
- The Logical Editor, Transformer, and Input Transformer
- The Project Logical Editor (Cubase only)
- Editing tempo and signature
- The Project Browser (Cubase only)
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing (Cubase only)
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Playing back and recording
- Page Mode
- Changing the zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting clef, key, and time signature
- Transposing instruments
- Printing from the Score Editor
- Exporting pages as image files
- Working order
- Force update
- Transcribing MIDI recordings
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy, and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys, or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and Display Quantize
- Creating crossed voicings
- Automatic polyphonic voicing – Merge All Staves
- Converting voices to tracks – Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Tips and Tricks
- Index
668
Designing your score: additional techniques
2. If you want the bar line to be shown with “brackets”,
activate the Brackets checkbox.
This is only relevant for repeat signs.
3. Click on the desired bar line type.
The dialog closes and the bar line type is changed.
4. If you do not want to display bar lines at the beginning
of the parts, open the Score Settings dialog on the Project–
Notation Style subpage (Bar Lines category) and activate
the “Hide First Bar line in Parts” option.
Ö The bar line types are part of the Project layer – any
changes you make are reflected in all layouts.
Creating upbeats
By using the Pickup Bar feature
With this method, the upbeat actually contains exactly the
number of beats displayed. That is, if you have an upbeat
of one beat, your project starts with one bar in 1/4 time.
1. Change the time signature of the first bar to the length
of the upbeat.
2. Insert a time signature of the correct kind (the time sig-
nature used throughout the project) in the second bar.
To insert a time signature, select it in the “Time Signature” section in the
Symbols Inspector and click in the Score with the Pencil tool.
3. Enter the notes in the upbeat into the first bar.
The first bar before making any adjustments
4. Double-click the time signature for the upbeat bar.
The Edit Time Signature dialog appears.
5. Activate the “Pickup Bar” option and click OK.
Now, the time signature of the first bar takes on the look of
the second bar’s signature, while the time signature in the
second bar is hidden.
6. If you use bar numbers, double-click on the first bar
number and enter an offset of -1.
7. Adjust the display of bar numbers and hide the “0” in
the first measure.
By hiding rests
With this method, the first bar actually gets the same time
signature as the following bars – it only looks like an up-
beat bar:
1. Enter the notes in the upbeat into the first bar.
The first bar before making any adjustments
2. Hide the rests that precede the notes.
3. Drag the bar line between measure one and two to ad-
just the width of the bar.
After hiding the rest and dragging the bar line
4. If you like, move the notes in the upbeat measure, us-
ing the Layout tool.










