User manual

594
Polyphonic voicing
About this chapter
In this chapter you will learn:
• How to decide when to use polyphonic voicing.
• How to set up voices.
• How to automatically convert your score to polyphonic voicing.
• How to enter and move notes into voices.
Background: Polyphonic voicing
Polyphonic voicing allows you to resolve a number of situ-
ations impossible to score properly otherwise:
• Notes starting at the same position, but with different
lengths. Without polyphonic voicing you get unnecessary
amounts of ties.
Without and with polyphonic voicing
• Vocal scoring and similar. Without polyphonic voicing,
all notes starting at the same position are considered
parts of a chord. With polyphonic voicing you can give
each voice a stem direction, you can have individual rest
handling for each voice, etc.
Without and with polyphonic voicing
• Complicated piano systems. Without polyphonic voicing,
you have to resort to a fixed split note setting to decide
which notes go on which clef. With polyphonic voicing, the
splitpoint can be “floating”. The program can even automat
-
ically put a bass line on the lower clef for you.
With a split system and with polyphonic voicing
How voices are created
Cubase allows for up to eight voices. The first thing you do
is to set them up. This includes “telling” the program which
voices belong to the upper clef and which belong to the
lower, how you want rests displayed for each voice, etc.
The second thing you do is to move or enter notes into the
voices. If you have a recording done already, the program
can do much of this work for you, automatically. You might
then want to fine-tune by moving one or more notes into
another voice, or you might want to add notes to a certain
voice. See
“Adding and editing notes” on page 576 for
details.
Overlapping notes
Throughout this chapter you encounter the term “overlap-
ping notes”. Two notes are considered overlapping when
they are on the same staff and:
• They start at the same position, but have different note
values (for example whole note and a quarter note both at
the beginning of a bar), or…
Notes starting at the same position, without and with polyphonic voices.
• One note starts before another has ended. For example
a half note at the beginning of a bar and an eighth note at
the second beat.
A note that starts before another has ended, without and with poly-
phonic voices.
!
Each voice is polyphonic. In other words, one voice
can contain chords.