User manual
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- Setting up your system
- VST Connections
- The Project window
- Working with projects
- Creating new projects
- Opening projects
- Closing projects
- Saving projects
- The Archive and Backup functions
- Startup Options
- The Project Setup dialog
- Zoom and view options
- Audio handling
- Auditioning audio parts and events
- Scrubbing audio
- Editing parts and events
- Range editing
- Region operations
- The Edit History dialog
- The Preferences dialog
- Working with tracks and lanes
- Playback and the Transport panel
- Recording
- Quantizing MIDI and audio
- Fades, crossfades and envelopes
- The arranger track
- The transpose functions
- Using markers
- The Mixer
- Control Room (Cubase only)
- Audio effects
- VST instruments and instrument tracks
- Surround sound (Cubase only)
- Automation
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- The MediaBay
- Introduction
- Working with the MediaBay
- The Define Locations section
- The Locations section
- The Results list
- Previewing files
- The Filters section
- The Attribute Inspector
- The Loop Browser, Sound Browser, and Mini Browser windows
- Preferences
- Key commands
- Working with MediaBay-related windows
- Working with Volume databases
- Working with track presets
- Track Quick Controls
- Remote controlling Cubase
- MIDI realtime parameters and effects
- Using MIDI devices
- MIDI processing
- The MIDI editors
- Introduction
- Opening a MIDI editor
- The Key Editor – Overview
- Key Editor operations
- The In-Place Editor
- The Drum Editor – Overview
- Drum Editor operations
- Working with drum maps
- Using drum name lists
- The List Editor – Overview
- List Editor operations
- Working with SysEx messages
- Recording SysEx parameter changes
- Editing SysEx messages
- The basic Score Editor – Overview
- Score Editor operations
- Expression maps (Cubase only)
- Note Expression (Cubase only)
- The Logical Editor, Transformer, and Input Transformer
- The Project Logical Editor (Cubase only)
- Editing tempo and signature
- The Project Browser (Cubase only)
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing (Cubase only)
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Playing back and recording
- Page Mode
- Changing the zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting clef, key, and time signature
- Transposing instruments
- Printing from the Score Editor
- Exporting pages as image files
- Working order
- Force update
- Transcribing MIDI recordings
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy, and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys, or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and Display Quantize
- Creating crossed voicings
- Automatic polyphonic voicing – Merge All Staves
- Converting voices to tracks – Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Tips and Tricks
- Index
587
Staff settings
About this chapter
In this chapter you will learn:
• How to make staff settings.
• How to work with staff presets.
Staff settings
Below follows a run-through of all staff settings, more de-
tailed information about the ones already described and
references to other places in the manual for some options.
The Staff page has four tabs – here, the Main tab is selected.
Making settings
1. Open the Score Settings and select the Staff page.
2. With the dialog open, make the desired staff active.
Click anywhere in a staff to make it active, or use the up and down arrow
keys to step from staff to staff.
3. Select the desired tab and make all necessary settings.
The settings for regular staves are found on the Main and Options tab,
the Polyphonic tab contains settings for split systems and polyphonic
voices while the Tablature tab lets you set up tablature scores.
4. When you have made the desired settings, click Apply.
Ö If the “Apply closes Property Windows” option is acti-
vated in the Preferences dialog (Scores–Editing page),
clicking Apply also closes the dialog.
• To make settings for another staff, simply make it active
in the score (by clicking anywhere in the staff or by using
the up/down arrow keys on the computer keyboard).
However, please note that you need to click Apply before making an-
other staff active – otherwise your settings are lost!
Working with staff presets
Making staff settings for your scores can be time-consum-
ing. Staff presets allow you to reuse those settings when-
ever you work with a staff similar to one you have worked
on before. A staff preset contains all the settings from the
Staff page of the Score Settings dialog, except for the key.
• To store the current settings (including the settings on
the Options tab, see below) click the Store button in the
Presets section of the Staff page.
Enter a name for the preset in the name dialog that appears, and click OK.
The preset is now available on the Presets pop-up menu (in all projects).
• There are a number of staff presets available, set up to
suit various instruments, etc. The presets are accessed
from the Presets pop-up menu on the Staff page of the
Score Settings dialog or from the staff context menu,
opened by right-clicking on the blue rectangle to the left
of a staff.
Use them as they are, or as starting points for your own settings. Note
that this loads the settings in the preset into the dialog – to apply these
to a staff you must click the Apply button as usual. You can also apply
staff presets directly in the score – see below.
• To remove a preset, select it from the pop-up menu and
click the Remove button.
Applying a preset directly in the score
If you right-click on the blue rectangle to the left of a staff,
a context menu appears, listing all available presets. Se-
lect one to apply it to the staff.
!
Staff settings can be saved in the track presets. For
more information, see the chapter
“Working with
track presets” on page 331.










