User manual
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- Setting up your system
- VST Connections
- The Project window
- Working with projects
- Creating new projects
- Opening projects
- Closing projects
- Saving projects
- The Archive and Backup functions
- Startup Options
- The Project Setup dialog
- Zoom and view options
- Audio handling
- Auditioning audio parts and events
- Scrubbing audio
- Editing parts and events
- Range editing
- Region operations
- The Edit History dialog
- The Preferences dialog
- Working with tracks and lanes
- Playback and the Transport panel
- Recording
- Quantizing MIDI and audio
- Fades, crossfades and envelopes
- The arranger track
- The transpose functions
- Using markers
- The Mixer
- Control Room (Cubase only)
- Audio effects
- VST instruments and instrument tracks
- Surround sound (Cubase only)
- Automation
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- The MediaBay
- Introduction
- Working with the MediaBay
- The Define Locations section
- The Locations section
- The Results list
- Previewing files
- The Filters section
- The Attribute Inspector
- The Loop Browser, Sound Browser, and Mini Browser windows
- Preferences
- Key commands
- Working with MediaBay-related windows
- Working with Volume databases
- Working with track presets
- Track Quick Controls
- Remote controlling Cubase
- MIDI realtime parameters and effects
- Using MIDI devices
- MIDI processing
- The MIDI editors
- Introduction
- Opening a MIDI editor
- The Key Editor – Overview
- Key Editor operations
- The In-Place Editor
- The Drum Editor – Overview
- Drum Editor operations
- Working with drum maps
- Using drum name lists
- The List Editor – Overview
- List Editor operations
- Working with SysEx messages
- Recording SysEx parameter changes
- Editing SysEx messages
- The basic Score Editor – Overview
- Score Editor operations
- Expression maps (Cubase only)
- Note Expression (Cubase only)
- The Logical Editor, Transformer, and Input Transformer
- The Project Logical Editor (Cubase only)
- Editing tempo and signature
- The Project Browser (Cubase only)
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing (Cubase only)
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Playing back and recording
- Page Mode
- Changing the zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting clef, key, and time signature
- Transposing instruments
- Printing from the Score Editor
- Exporting pages as image files
- Working order
- Force update
- Transcribing MIDI recordings
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy, and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys, or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and Display Quantize
- Creating crossed voicings
- Automatic polyphonic voicing – Merge All Staves
- Converting voices to tracks – Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Tips and Tricks
- Index
468
Editing tempo and signature
The Beat Calculator
The Beat Calculator is a tool for calculating the tempo of
freely recorded audio or MIDI material. It also allows you to
set the tempo by tapping.
Calculating the tempo of a recording
1. In the Project window, make a selection that covers an
exact number of beats of the recording.
2. Select “Beat Calculator…” from the Project menu.
The Beat Calculator window appears.
3. In the Beats field, enter the number of beats that the
selection encompasses.
The corresponding tempo is calculated and displayed in the BPM field.
• If you need to adjust the selection, you can go back to
the Project window, leaving the Beat Calculator open.
To re-calculate the tempo after adjusting the selection, click Refresh.
4. You can also insert the calculated tempo into the
tempo track by clicking one of the buttons in the lower left
corner of the Beat Calculator window.
Clicking “At Tempo Track Start” will adjust the first tempo curve point,
while “At Selection Start” will add a new tempo curve point at the selec
-
tion’s start position, using the “Jump” curve type (see “Adding tempo
curve points” on page 465).
Using Tap Tempo
The Tap Tempo function allows you to specify a tempo by
tapping:
1. Open the Beat Calculator.
2. If you want to tap the tempo to some recorded mate-
rial, activate playback.
3. Click the Tap Tempo button.
The Tap Tempo window appears.
4. Tap the tempo on the Spacebar of the computer key-
board or with the mouse button.
The tempo display will update the calculated tempo between each tap.
5. Click OK to close the Tap Tempo dialog.
The tapped tempo is now shown in the Beat Calculator’s BPM display.
You can insert it into the tempo track as described above.
Action –
Insert Bars
When you select this action, clicking the Process button
will insert the specified number of empty bars with the set
time signature at the start position specified above.
Action –
Delete Bars
When you select this action, clicking the Process button
will delete the specified number of bars, beginning at the
start position specified above.
Action –
Reinterpret
Bars
When you select this action, clicking the Process button
will reinterpret the bar range to fit the specified time signa
-
ture. This is very special in the sense that both bars+beats
positions of the notes and the tempo are being changed to
fit the new time signature, but the playback of the notes will
stay just the same.
For example, if you want to reinterpret a bar with the time
signature 3/4 so that it gets the time signature 4/4, quarter
notes will become half note triplets. If you reinterpret a bar
with the time signature 4/4 to attain 3/4, you will get qua
-
druplets.
Action –
Replace Bars
When you select this action, clicking the Process button
will cause the time signature of the specified bar range to
be replaced by the one you specify in this dialog.
Action –
Signature
This lets you specify the time signature for the action you
select on the Action pop-up menu (except for the Delete
Bars action).
Process Click on this button to apply your changes to the speci-
fied bar range.
Close Clicking this button without clicking on “Process” first will
close the dialog without applying your settings.
Option Description
!
If fixed tempo mode is selected when you insert the
calculated tempo, the fixed tempo will be adjusted,
regardless of which button you click.










