User manual
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- VST Connections: Setting up input and output busses
- The Project window
- Playback and the Transport panel
- Recording
- Fades, crossfades and envelopes
- The Arranger track
- The Transpose functions
- The mixer
- Control Room (Cubase only)
- Audio effects
- VST Instruments and Instrument tracks
- Surround sound (Cubase only)
- Automation
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- The MediaBay
- Working with Track Presets
- Track Quick Controls
- Remote controlling Cubase
- MIDI realtime parameters and effects
- Using MIDI devices
- MIDI processing and quantizing
- The MIDI editors
- Introduction
- Opening a MIDI editor
- The Key Editor - Overview
- Key Editor operations
- The In-Place Editor
- The Drum Editor - Overview
- Drum Editor operations
- Working with drum maps
- Using drum name lists
- The List Editor - Overview
- List Editor operations
- Working with System Exclusive messages
- Recording System Exclusive parameter changes
- Editing System Exclusive messages
- VST Expression
- The Logical Editor, Transformer and Input Transformer
- The Project Logical Editor
- Editing tempo and signature
- The Project Browser
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Playing back and recording
- Page Mode
- Changing the Zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting key, clef and time signature
- Transposing instruments
- Printing from the Score Editor
- Exporting pages as image files
- Working order
- Force update
- Transcribing MIDI recordings
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and Display Quantize
- Creating crossed voicings
- Automatic polyphonic voicing - Merge All Staves
- Converting voices to tracks - Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Tips and Tricks
- Index
72
Recording
3. Play back the audio and check the level meter for the
input channel.
The signal should be as loud as possible without exceeding 0dB (the
Clipping indicator for the input bus should not light up).
The Clipping indicator
4. If necessary, adjust the input level in one of the follow-
ing ways:
• Adjust the output level of the sound source or external
mixer.
• Use the audio hardware’s own application program to
set the input levels (if possible).
See the documentation for the audio hardware.
• If your audio hardware supports the ASIO Control Panel
function, it may be possible to make input level settings.
To open the ASIO control panel, open the Device Setup dialog via the De-
vices menu and, in the list to the left (below “VST Audio System”), select
your audio card. When this is selected, you can open the Control Panel by
clicking on the Control Panel button in the settings section to the right.
The next step is to check the level of the audio being writ-
ten to a file on your hard disk. This is only necessary if you
have made any adjustments to the input channel (level
settings, EQ, insert effects, etc.).
Also note the following:
• If you record in 32 bit float format, the bit depth will not
be reduced – which means there is no risk of clipping at
this stage.
Also, this preserves the signal quality perfectly. Therefore, you should
consider using 32 bit float format when you are recording with effects
(see “Recording with effects (Cubase only)” on page 78).
• If you record in 16 or 24 bit format, the available head-
room is lower, which means clipping can occur if the sig-
nal is too loud. To avoid this, set the signal level in the
following way:
1. Bring up the mixer context menu, open and select Glo-
bal Meter Settings “Meter Post-Fader”.
2. Set up the input channel, by adding EQ and/or effects.
With some effects you may want to adjust the level of the signal going
into the effect – use the Input Gain knob for this. Note that you need to
press [Shift] or [Alt]/[Option] to adjust the Input Gain.
Adjusting the Input Gain.
3. Play back the audio and check the level meter of the
input channel.
The signal should be reasonably loud but should not reach 0dB (the
Clipping indicator for the input bus should not light up).
4. If necessary, use the input channel fader to adjust the
signal level.
Cubase Studio
In Cubase Studio, the input channels are not shown in the
mixer. Instead, you need to check the level at the channel
strip for the track on which you are recording:
1. Locate the channel strip for the track you’re about to
record on.
2. Activate monitoring for the channel by clicking the
speaker button next to the fader.
When monitoring is activated, the meter shows the level of the incoming
audio signal.
3. Play the audio source that you want to record and
check the level meter for the channel.
4. Adjust the output level of your audio source so that the
meters go reasonably high without reaching 0.0dB.
Check the numerical peak level indicator below the meter in the bus
channel strip. To reset the peak level indicator, click on it.
Ö You must adjust the output level of the audio source –
you cannot use the faders in Cubase Studio to adjust the
input level!
Ö An alternative way of checking the input levels would
be to use the control panel for your audio hardware (if it
features input level meters). It may also be possible to ad-
just the input level in the control panel.
See the documentation of your audio hardware for details.










