User manual
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- VST Connections: Setting up input and output busses
- The Project window
- Playback and the Transport panel
- Recording
- Fades, crossfades and envelopes
- The Arranger track
- The Transpose functions
- The mixer
- Control Room (Cubase only)
- Audio effects
- VST Instruments and Instrument tracks
- Surround sound (Cubase only)
- Automation
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- The MediaBay
- Working with Track Presets
- Track Quick Controls
- Remote controlling Cubase
- MIDI realtime parameters and effects
- Using MIDI devices
- MIDI processing and quantizing
- The MIDI editors
- Introduction
- Opening a MIDI editor
- The Key Editor - Overview
- Key Editor operations
- The In-Place Editor
- The Drum Editor - Overview
- Drum Editor operations
- Working with drum maps
- Using drum name lists
- The List Editor - Overview
- List Editor operations
- Working with System Exclusive messages
- Recording System Exclusive parameter changes
- Editing System Exclusive messages
- VST Expression
- The Logical Editor, Transformer and Input Transformer
- The Project Logical Editor
- Editing tempo and signature
- The Project Browser
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Playing back and recording
- Page Mode
- Changing the Zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting key, clef and time signature
- Transposing instruments
- Printing from the Score Editor
- Exporting pages as image files
- Working order
- Force update
- Transcribing MIDI recordings
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and Display Quantize
- Creating crossed voicings
- Automatic polyphonic voicing - Merge All Staves
- Converting voices to tracks - Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Tips and Tricks
- Index
538
Polyphonic voicing
Creating crossed voicings
Often, for example in vocal scoring, you will have crossed
voicings on one system. You can of course move notes
manually into voices to get the stem direction and other
note properties right, but there is a quicker way. Let’s ex-
plain how to do this by example. Without using polyphonic
voicing, you have entered this:
1. Open the Score Settings–Staff page and select the
Polyphonic tab.
2. From the Staff Mode pop-up menu, select Polyphonic.
3. Activate voice 1 and 2 only, and make settings for
them as in the picture below.
4. Click Apply.
The staff is in Polyphonic staff mode, but all notes are still in the same
voice.
5. Pull down the Scores menu and select “Explode” from
the Functions submenu.
6. In the dialog that appears, select the “To Polyphonic
Voices” option and activate “Lines To Tracks”.
Leave the other options off.
7. Click OK.
The notes have now been split in two “lines”, each in a separate voice.
However, from the middle of the bar, notes that are in voice 1 should be
in voice 2 and vice versa.
8. Select the two notes that should be moved from voice
1 to voice 2.
Two notes in voice 1 selected.
9. Move the notes to voice 2.
The quickest way to do this is to press [Ctrl]/[Command] and click the
voice Insert [2] button on the extended toolbar.
Two notes moved to the right voice.
10. Select the two notes that should be moved to voice 1
and move them, too.
All notes in the right voices.
The voicing is now correct, as you can tell from the stem
directions. However, there is still some work to do on the
notes graphical positions (see “Graphic moving of notes”
on page 550) and the display of stems and beams for
some of the notes (see “Manual adjustment of beams” on
page 549). When you have made those adjustments, the
score may look like this:
After making graphical adjustments.










