User manual

439
Synchronization
Synchronization
Before you proceed, you need to make sure that the clock
signals on your ASIO cards are synchronized correctly.
This is essential when cabling any kind of digital audio
system, not just VST System Link.
The Clock Mode or Sync Mode is set up in the ASIO con-
trol panel of the audio hardware. In Cubase, you proceed
as follows:
1. Pull down the Devices menu and open the Device Set-
up dialog.
2. On the VST Audio System page, select your audio in-
terface from the “ASIO Driver” pop-up menu.
The name of the audio interface now appears as a subentry to the VST
Audio System entry in the Devices list.
3. Select your audio interface in the Devices list to the
left.
4. Click the Control Panel button.
The ASIO control panel appears.
5. Open the ASIO control panel on the other computer
as well.
If you are using another VST System Link host application on that com-
puter, check its documentation for details on how to open the ASIO con-
trol panel.
6. Now, you need to make sure that one audio card is set
to be the Clock Master, and all the other cards are set to
listen for the clock signal coming from the Clock Master,
i.e. they must be Clock Slaves.
The naming and procedure for this differs depending on the audio hard-
ware – consult its documentation if required. If you are using Steinberg
Nuendo ASIO hardware, all cards default to the “AutoSync” setting – in
this case you must set one of the cards (and only one) to “Master” in the
Clock Mode section of the control panel.
• Typically, the ASIO control panel for an audio card con-
tains some indication of whether the card receives a proper
sync signal or not, and the sample rate of that signal.
This is a good indication that you have connected the cards and set up
clock sync properly. Check your audio hardware’s documentation for de-
tails.
The only exception to this procedure is if you are using an
external clock – which could be from a digital mixing desk
or special Word Clock synchronizer for example. If so, you
must leave all your ASIO cards in Clock Slave or AutoSync
mode, and make sure that each of them is listening for the
signal coming from the synchronizer, usually passed
through your ADAT cables or Word Clock connectors in a
daisy chain fashion.
VST System Link and latency
The general definition of latency is the amount of time it
takes any system to respond to whatever messages are
sent to it. For example, if your system’s latency is high and
you play VST instruments in realtime, you will get a notice-
able delay between when you press a key and when you
hear the sound of the VST instrument. Nowadays, most
ASIO-compatible audio cards are capable of operating
with very low latencies. Also, all VST applications are de-
signed to compensate for latency during playback, making
the playback timing tight.
However, the latency time of a VST System Link network
is the total latency of all the ASIO cards in the system
added together. Therefore it is extra important to minimize
the latency times for each computer in the network.
Ö The latency does not affect the synchronization – it is
always perfectly in time. But it can affect the time it takes
to send and receive MIDI and audio signals, or make the
system seem sluggish.
To adjust the latency of a system, you adjust the size of the
buffers in the ASIO control panel – the lower the buffer
size, the lower the latency. It is best to keep to fairly low la-
tencies (buffer sizes) if your system can handle it – about
12ms or less is usually a good idea.
!
All digital audio cables by definition always carry a
clock signal as well as audio signals, so you do not
have to use a special Word Clock input and output
for this (although you may find that you get a slightly
more stable audio system if you do, especially when
using multiple computers).
!
It is very important that one and only one card is the
clock master, otherwise the network cannot function
correctly. Once you have set this up, all the other
cards in the network will take their clock signal from
this card automatically.