User manual
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- VST Connections: Setting up input and output busses
- The Project window
- Playback and the Transport panel
- Recording
- Fades, crossfades and envelopes
- The Arranger track
- The Transpose functions
- The mixer
- Control Room (Cubase only)
- Audio effects
- VST Instruments and Instrument tracks
- Surround sound (Cubase only)
- Automation
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- The MediaBay
- Working with Track Presets
- Track Quick Controls
- Remote controlling Cubase
- MIDI realtime parameters and effects
- Using MIDI devices
- MIDI processing and quantizing
- The MIDI editors
- Introduction
- Opening a MIDI editor
- The Key Editor - Overview
- Key Editor operations
- The In-Place Editor
- The Drum Editor - Overview
- Drum Editor operations
- Working with drum maps
- Using drum name lists
- The List Editor - Overview
- List Editor operations
- Working with System Exclusive messages
- Recording System Exclusive parameter changes
- Editing System Exclusive messages
- VST Expression
- The Logical Editor, Transformer and Input Transformer
- The Project Logical Editor
- Editing tempo and signature
- The Project Browser
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Playing back and recording
- Page Mode
- Changing the Zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting key, clef and time signature
- Transposing instruments
- Printing from the Score Editor
- Exporting pages as image files
- Working order
- Force update
- Transcribing MIDI recordings
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and Display Quantize
- Creating crossed voicings
- Automatic polyphonic voicing - Merge All Staves
- Converting voices to tracks - Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Tips and Tricks
- Index
21
VST Connections: Setting up input and output busses
2. Connect an unused input pair on your audio hardware
to the output pair on your hardware device.
Once the external device is connected to the audio hard-
ware of your computer, you have to set up the input/out-
put busses in Cubase.
Setting up external effects
1. Open the VST Connections window from the Devices
menu.
2. Open the External FX tab and click “Add External FX”.
3. In the dialog that appears, enter a name for the exter-
nal effect and specify the Send and Return configurations.
Depending on the type of effect, you can specify mono, stereo or surround
configurations.
• You also need a MIDI device that corresponds with the
external effect. You can then click the Associate MIDI De-
vice button to connect the two.
You can use the MIDI Device Manager to create a new MIDI device for
the effect. Note that delay compensation will only be applied for the ef-
fect when you use MIDI devices. For information about the MIDI Device
Manager and user device panels see the chapter “Using MIDI devices”
on page 314.
4. Click OK. This adds a new External FX bus.
5. Click in the Device Port column for the Send Bus
“Left” and “Right” ports and select the outputs on your au-
dio hardware.
6. Click in the Device Port column for the Return Bus
“Left” and “Right” ports and select the inputs on your au-
dio hardware.
7. If you like, make additional settings for the bus.
These are found in the columns to the right. Note that you can adjust
these while actually using the external effect – which may be easier as
you can hear the result. The following options are available:
8. When you are done, close the VST Connections win-
dow.
Ö Note that external device ports are exclusive, see
“Connecting the external effect/instrument” on page 20.
How to use the external effect
If you now click an insert effect slot for any channel, you
will find the new external FX bus listed on the “External
Plug-ins” submenu.
When you select it, the following happens:
• The external FX bus is loaded into the effect slot just like a
regular effect plug-in.
• The audio signal from the channel is sent to the outputs on the
audio hardware, through your external effect device and back
to the program via the inputs on the audio hardware.
!
Please note that it is possible to select input/output
ports for external effects/instruments that are already
used (i.e. that have been selected as inputs/outputs
in the VST Connections window). If you select a
used port for an external effect/instrument, the exist-
ing port assignment will be broken. Note that you will
not get a warning message!
Setting Description
Delay If your hardware effect device has an inherent delay (la-
tency), you should enter this value here, as it allows Cu-
base to compensate for that delay during playback. You
can also let the delay value be determined by the pro-
gram: Right-click in the Delay column for the effect and
select “Check User Delay”. Note that you do not have to
take the latency of the audio hardware into account – this
is handled automatically by the program.
Send Gain Allows you to adjust the level of the signal being sent to
the external effect.
Return Gain Allows you to adjust the level of the signal coming in from
the external effect.
Note however that excessive output levels from an external
effect device may cause clipping in the audio hardware.
The Return Gain setting cannot be used to compensate
for this – you have to lower the output level on the effect
device instead.
MIDI Device When you click in this column, a pop-up menu opens
where you can disconnect the effect from the associated
MIDI device, select a MIDI device, create a new device or
open the MIDI Device Manager to edit the MIDI device.
When Studio Manager 2 is installed, you may also select
an OPT editor to access your external effect.
Used Whenever you insert an external effect into an audio
track, this column shows a checkmark (“x”) to indicate
that the effect is being used.










