Plug-in Reference
Table Of Contents
- Table of Contents
- The included effect plug-ins
- Introduction
- Delay plug-ins
- ModMachine (Cubase only)
- MonoDelay
- PingPongDelay
- StereoDelay
- Distortion plug-ins
- AmpSimulator
- DaTube
- Distortion
- SoftClipper (Cubase only)
- Dynamics plug-ins
- Compressor
- DeEsser (Cubase only)
- EnvelopeShaper (Cubase only)
- Expander (Cubase only)
- Gate
- Limiter
- Maximizer
- MIDI Gate
- MultibandCompressor (Cubase only)
- VintageCompressor (Cubase only)
- VSTDynamics
- EQ plug-ins
- GEQ-10/GEQ-30 (Cubase only)
- StudioEQ (Cubase only)
- Filter plug-ins
- DualFilter
- StepFilter
- ToneBooster
- Tonic - Analog Modeling Filter (Cubase only)
- WahWah
- Mastering - UV 22 HR
- Modulation plug-ins
- AutoPan
- Chorus
- Cloner (Cubase only)
- Flanger
- Metalizer
- Phaser
- Ringmodulator
- Rotary
- StudioChorus
- Tranceformer
- Tremolo
- Vibrato
- Other plug-ins
- Bitcrusher
- Chopper
- Octaver
- Tuner
- PitchShift - Pitch Correct
- Restoration plug-ins - Grungelizer
- Reverb plug-ins
- REVerence (Cubase only)
- RoomWorks
- RoomWorks SE
- Spatial plug-ins
- MonoToStereo
- StereoEnhancer
- Surround plug-ins (Cubase only)
- Mix6To2 (Cubase only)
- SurroundPan (Cubase only)
- Tools plug-ins
- MultiScope (Cubase only)
- SMPTEGenerator (Cubase only)
- TestGenerator (Cubase only)
- The included VST Instruments
- Introduction
- Prologue
- Sound parameters
- Modulation and controllers
- Spector (Cubase only)
- Sound parameters
- Modulation and controllers
- Mystic (Cubase only)
- Sound parameters
- Modulation and controllers
- HALionOne
- Groove Agent ONE
- LoopMash (Cubase only)
- Embracer - Surround Pad Synthesizer (Cubase only)
- Monologue - Monophonic Analog Modeling Synthesizer (Cubase only)
- Diagrams
- MIDI effects
- Index
48
The included VST Instruments
• To hear the signal generated by the oscillator(s), the
corresponding Osc dial in the oscillator sections must be
turned clockwise to a suitable value.
OSC 1 parameters
Oscillator 1 acts as a master oscillator. It determines the
base pitch for all three oscillators. Oscillator 1 features the
following parameters:
OSC 2 parameters
Oscillator 2 has the following parameters:
Triangle The Triangle waveform generates only a few harmonics,
spaced at odd harmonic numbers, which produces a
slightly hollow sound.
Sine The sine wave is the simplest possible waveform, with no
harmonics (overtones). The sine wave produces a neu-
tral, soft timbre.
Formant 1–12 Formant waveforms emphasizes certain frequency
bands. Like the human voice, musical instruments have a
fixed set of formants, which give it a unique, recognizable
tonal color or timbre, regardless of pitch.
Vocal 1–7 These are also formant waveforms, but specifically vocal-
oriented. Vowel sounds (A/E/I/O/U) are among the
waveforms found in this category.
Partial 1–7 Partials, also called harmonics or overtones, are a series
of tones which accompany the prime tone (fundamental).
These waveforms could be described as producing inter-
vals with two or more frequencies heard simultaneously
with equal strength.
Reso Pulse
1–12
This waveform category begins with a complex waveform
(Reso Pulse 1), that emphasizes the fundamental fre-
quency (prime). For each consecutive waveform in this
category, the next harmonic in the harmonic series is em-
phasized.
Slope 1–12 This waveform category begins with a complex waveform
(Slope 1), with gradually decreasing harmonic complexity
the higher the number selected. Slope 12 produces a
sine wave (no harmonics).
Neg Slope
1–9
This category also begins with a complex waveform
(NegSlope 1), but with gradually decreasing low fre-
quency content the higher the number selected.
Parameter Value Description
Osc 1 0–100 This controls the output level of the oscil-
lator.
Coarse +/- 48
semitones
This determines the base pitch used by
all oscillators.
Fine +/- 50 cent Fine tunes the oscillator pitch in cent in-
crements (100th of a semitone). This also
affects all oscillators.
Waveform Description
Wave Mod +/- 50 This parameter dial is only active if the
Wave Mod button is activated beside the
waveform selection box. Wave modula-
tion works by adding a phase-shifted
copy of the oscillator output to itself,
which produces waveform variations. For
example if a sawtooth waveform is used,
activating WM will produce a pulse
waveform. By modulating the WM pa-
rameter with for example a LFO, classic
PWM (pulse width modulation) is pro-
duced. Wave modulation can, however,
be applied to any waveform.
Phase button On/Off When Phase synchronization is activated,
all oscillators will restart their waveform
cycles with every note played. With
Phase deactivated, the oscillators gener-
ate a waveform cycle continuously, which
produces slight variations when playing
as each note will start from a random
phase in the cycle, adding warmth to the
sound. But when synthesizing bass
sounds or drum sounds, it is usually de-
sired that the attack of every note played
sounds the same, so for these purposes
you should activate Phase sync. Phase
sync also affects the noise generator.
Tracking
button
On/Off When Tracking is activated, the oscillator
pitch will track the notes played on the
keyboard. If Tracking is deactivated the
oscillator pitch remains constant, regard-
less of what note is played.
Wave Mod
button
On/Off This switches wave modulation on or off.
Waveform
pop-up
See “Selecting
Waveforms”
on page 47.
Sets the basic waveform for the oscillator.
Parameter Value Description
Osc 2 0–100 This controls the output level of the oscil-
lator.
Coarse +/- 48
semitones
This determines the coarse pitch for Osc
2. If FM is enabled, this determines fre-
quency ratio of the oscillator regarding
Osc 1.
Fine +/- 50 cent Fine tunes the oscillator pitch in cent in-
crements (100th of a semitone). If FM is
enabled, this determines the frequency
ratio of the oscillator regarding Osc 1.
Parameter Value Description










