User manual
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- VST Connections: Setting up input and output busses
- The Project window
- Playback and the Transport panel
- Recording
- Fades, crossfades and envelopes
- The Arranger track
- Folder tracks
- Using markers
- The Transpose functions
- The mixer
- Control Room (Cubase only)
- Audio effects
- VST Instruments and Instrument tracks
- Introduction
- VST Instrument channels vs. instrument tracks
- VST Instrument channels
- Instrument tracks
- Comparison
- Automation considerations
- What do I need? Instrument channel or Instrument track?
- Instrument Freeze
- VST instruments and processor load
- Using presets for VSTi configuration
- About latency
- External instruments (Cubase only)
- Surround sound (Cubase only)
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- VST Sound
- The MediaBay
- Track Presets
- Track Quick Controls
- Automation
- MIDI realtime parameters and effects
- MIDI processing and quantizing
- The MIDI editors
- The Logical Editor, Transformer and Input Transformer
- The Project Logical Editor
- Working with System Exclusive messages
- Working with the Tempo track
- The Project Browser
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Page Mode
- Changing the Zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting key, clef and time signature
- Transposing instruments
- Working order
- Force update
- Transcribing MIDI recordings
- About this chapter
- About transcription
- Getting the parts ready
- Strategies: Preparing parts for score printout
- Staff settings
- The Main tab
- The Options tab
- The Polyphonic tab
- The Tablature tab
- Situations which require additional techniques
- Inserting display quantize changes
- Strategies: Adding display quantize changes
- The Explode function
- Using “Scores Notes To MIDI”
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and display quantize
- Creating crossed voicings
- Automatic polyphonic voicing - Merge All Staves
- Converting voices to tracks - Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Printing and exporting pages
- Frequently asked questions
- Tips and Tricks
- Index
96
The Arranger track
Introduction
The Arranger track allows you to work with sections of
your project in a non-linear fashion, to simplify arranging to
the maximum extent. Instead of moving, copying and past-
ing events in the Project window event display to create a
linear project, you can define how different sections are to
be played back, like a playlist.
For this, you can define arranger events, order them in a list,
and add repeats as desired. This offers a different and more
pattern-oriented way of working, which complements the
usual linear editing methods in the Project window.
You can create several Arranger chains, making it possi-
ble to store different versions of a song within the project
without sacrificing the original version. When you have
created an Arranger chain that you like, you have the op-
tion of “flattening” the list, which creates a normal linear
project based on the Arranger chain. You can chose to
keep the Arranger track or to remove it.
You can also use the Arranger track for live performances
on the stage, in clubs or at parties.
Setting up the Arranger track
Let’s say you have prepared a number of audio files that
form the base of a typical pop song, with introduction,
verse, chorus and bridge. Now you want to arrange these
files.
The first step is to create an Arranger track. On the Ar-
ranger track, you define specific sections of the project by
creating arranger events. These can be of any length, may
overlap and are not bound to the start or end of existing
events and parts. Proceed as follows:
1. Open the project for which you want to create arranger
events.
2. Open the Project menu and select “Arranger” from the
Add Track submenu (or right-click in the Track list and se-
lect Add Arranger track).
An Arranger track is added. There can be only one Arranger track in a
project, but you can set up more than one Arranger chain for this track,
see “Managing Arranger chains” on page 99.
3. On the Project window toolbar, make sure that Snap
is activated, and that the Grid resolution is set to a mode
that allows your arranger events to snap to appropriate
positions in the project.
Snap to events is activated, i.e. when drawing in the Project window,
new events will snap to existing events.
4. On the Arranger track, use the Pencil tool to draw an
event of the desired length.
An Arranger event is added, called “A” by default. Any following events
will be named in alphabetical order.
• You can rename an Arranger event by selecting it and
changing its name in the Project window info line or by
holding down [Alt]/[Option], double-clicking on the name
in the Arranger chain (see below) and entering a new
name.
You may want to name your arranger events according to the structure of
your project, e.g. Verse, Chorus etc.
5. Create as many events as you need for your project.
In this example, arranger events have been created that correspond to a
classic pop song structure. Note how there is no real time line in the
project: the music sequence is determined by the arranger events.
Events can be moved, resized and deleted using the stan-
dard techniques. Please note:
• If you want to change the length of a event, select the
Arrow tool and click and drag the bottom corners of the
event in the desired direction.
• If you copy an Arranger event (by [Alt]/[Option]-drag-
ging or by using copy/paste), a new event will be created
with the same name as the original.
However, this new event will be totally independent from the original event.
• Double-clicking on an arranger event adds it to the cur-
rent Arranger chain.