User manual
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- VST Connections: Setting up input and output busses
- The Project window
- Playback and the Transport panel
- Recording
- Fades, crossfades and envelopes
- The Arranger track
- Folder tracks
- Using markers
- The Transpose functions
- The mixer
- Control Room (Cubase only)
- Audio effects
- VST Instruments and Instrument tracks
- Introduction
- VST Instrument channels vs. instrument tracks
- VST Instrument channels
- Instrument tracks
- Comparison
- Automation considerations
- What do I need? Instrument channel or Instrument track?
- Instrument Freeze
- VST instruments and processor load
- Using presets for VSTi configuration
- About latency
- External instruments (Cubase only)
- Surround sound (Cubase only)
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- VST Sound
- The MediaBay
- Track Presets
- Track Quick Controls
- Automation
- MIDI realtime parameters and effects
- MIDI processing and quantizing
- The MIDI editors
- The Logical Editor, Transformer and Input Transformer
- The Project Logical Editor
- Working with System Exclusive messages
- Working with the Tempo track
- The Project Browser
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Page Mode
- Changing the Zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting key, clef and time signature
- Transposing instruments
- Working order
- Force update
- Transcribing MIDI recordings
- About this chapter
- About transcription
- Getting the parts ready
- Strategies: Preparing parts for score printout
- Staff settings
- The Main tab
- The Options tab
- The Polyphonic tab
- The Tablature tab
- Situations which require additional techniques
- Inserting display quantize changes
- Strategies: Adding display quantize changes
- The Explode function
- Using “Scores Notes To MIDI”
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and display quantize
- Creating crossed voicings
- Automatic polyphonic voicing - Merge All Staves
- Converting voices to tracks - Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Printing and exporting pages
- Frequently asked questions
- Tips and Tricks
- Index
76
Recording
This method allows you to quickly combine the best parts
of each take, in the following way:
1. Use the Scissors tool to split the events in several sec-
tions, one for each part of the take.
For example, if you recorded four lines of vocals (in each take), you can
split the events so that each line gets a separate event.
The events after splitting. Note that since the original take events overlap
each other, clicking with the Scissors tool will split all takes at the same
position.
2. For each section of the take, use the “To Front” func-
tion to bring the best take to the front.
This way, you can quickly combine the best sections of each take, using
the first vocal line from one take, the second line from another take and
so on.
You can also compile a “perfect” take in the Audio Part
Editor, see “Assembling a “perfect take”” on page 268.
Create Regions mode (Preferences)
When Audio Cycle Record Mode is set to “Create Re-
gions” in the Preferences (Record-Audio page), the fol-
lowing will happen when you record audio in cycle mode:
• One continuous audio file is created during the entire
recording process.
• The audio event in the Project window shows the name
of the audio file plus the text “Take *” (with “*” being the
number of the last completed cycle lap).
• If you play back the recorded event, you will only hear
what was recorded during the last lap of the cycle record-
ing.
The previous “takes” recorded in the cycle are still available, however.
• The audio clip is divided into regions (called takes), one
for each lap of the cycle that was recorded.
If you locate the audio file you just recorded in the Pool, and click on the
plus sign beside it, you can see the regions that have been created, one
for each lap of the cycle that was completed during recording.
“Take” regions in the Pool window.
To play back the different “takes”, proceed as follows:
1. In the Project window, right-click the event that was
created during cycle recording.
The Quick menu appears.
2. Select the “Set To Region” menu item.
A submenu appears with the takes you recorded during cycle record.
3. Now you can select any of the takes from the submenu
and it will replace the previous take event in the Project
window.
Use this method to listen through the various takes. Select
the best single take, or compile a “perfect” take by cutting
out the best bits from each take and putting them together
(see “Assembling a “perfect take”” on page 268).
Create Events + Regions mode (Preferences)
In this mode, both events and regions are created. If you
work with the takes as events in this mode, you can edit
the events freely (e.g. splitting them), see “Create Events
mode (Preferences)” on page 75. However, in case you
want to go back to the original takes, they are still available
as regions (on the “Set To Region” submenu, in the Pool
or in the Sample Editor).