User manual
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- VST Connections: Setting up input and output busses
- The Project window
- Playback and the Transport panel
- Recording
- Fades, crossfades and envelopes
- The Arranger track
- Folder tracks
- Using markers
- The Transpose functions
- The mixer
- Control Room (Cubase only)
- Audio effects
- VST Instruments and Instrument tracks
- Introduction
- VST Instrument channels vs. instrument tracks
- VST Instrument channels
- Instrument tracks
- Comparison
- Automation considerations
- What do I need? Instrument channel or Instrument track?
- Instrument Freeze
- VST instruments and processor load
- Using presets for VSTi configuration
- About latency
- External instruments (Cubase only)
- Surround sound (Cubase only)
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- VST Sound
- The MediaBay
- Track Presets
- Track Quick Controls
- Automation
- MIDI realtime parameters and effects
- MIDI processing and quantizing
- The MIDI editors
- The Logical Editor, Transformer and Input Transformer
- The Project Logical Editor
- Working with System Exclusive messages
- Working with the Tempo track
- The Project Browser
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Page Mode
- Changing the Zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting key, clef and time signature
- Transposing instruments
- Working order
- Force update
- Transcribing MIDI recordings
- About this chapter
- About transcription
- Getting the parts ready
- Strategies: Preparing parts for score printout
- Staff settings
- The Main tab
- The Options tab
- The Polyphonic tab
- The Tablature tab
- Situations which require additional techniques
- Inserting display quantize changes
- Strategies: Adding display quantize changes
- The Explode function
- Using “Scores Notes To MIDI”
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and display quantize
- Creating crossed voicings
- Automatic polyphonic voicing - Merge All Staves
- Converting voices to tracks - Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Printing and exporting pages
- Frequently asked questions
- Tips and Tricks
- Index
69
Recording
• The higher the bit depth, the larger the files and the
more strain is put on the disk system.
If this is an issue, you may want to lower the record format setting.
Setting up the track
Creating a track and selecting the channel configuration
Audio tracks can be configured as mono, stereo or sur-
round tracks (Cubase only). This allows you to record or
import a file containing multiple channels and treat it as
one entity, with no need to split it up into several mono
files etc. The signal path for an audio track maintains its
channel configuration all the way from the input bus, via
EQ, level and other mixer settings to the output bus.
You specify the channel configuration for a track when you
create it:
1. Select “Add Audio Track” from the Track list context
menu or the Project menu (or double-click in an empty
area of the Track list when an audio track is selected –
when a MIDI track is selected, double-clicking in the Track
list creates a new MIDI track).
A dialog appears with a channel configuration pop-up menu.
2. Select the desired format from the pop-up menu.
In Cubase Studio, you choose between mono and stereo. In Cubase, the
most common formats are listed directly on the pop-up menu, with the re-
maining surround formats listed on the “More…” submenu. For a list of the
available surround formats, see “Output bus configuration” on page 198.
• The Browse item in this dialog allows you to browse
your disk(s) for created Track Presets, which can be used
as a basis (or template) for tracks.
This is described in detail in the chapter “Track Presets” on page 300.
3. Click OK.
A track appears, set to the specified channel configuration. In the mixer,
a corresponding channel strip appears. You cannot change the channel
configuration for a track.
Selecting an input bus for a track
Here we assume that you have added and set up the re-
quired input busses (see “Setting up busses” on page 14).
Before you record, you need to specify from which input
bus the track should record. You can do this in the Inspec-
tor or in the mixer:
• In the Inspector, you select an input bus on the Input
Routing pop-up menu in the top section.
As described in the section “The Inspector” on page 29, the Inspector by
shows the settings for the selected track. You show or hide the Inspector
clicking the “Show/Hide Inspector” button on the Project window toolbar.
!
For further information on the options in the Project
Setup dialog, see “The Project Setup dialog” on
page 35.
Click here to select an input bus for the track.
Click here to show/hide the Inspector.