User manual
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- VST Connections: Setting up input and output busses
- The Project window
- Playback and the Transport panel
- Recording
- Fades, crossfades and envelopes
- The Arranger track
- Folder tracks
- Using markers
- The Transpose functions
- The mixer
- Control Room (Cubase only)
- Audio effects
- VST Instruments and Instrument tracks
- Introduction
- VST Instrument channels vs. instrument tracks
- VST Instrument channels
- Instrument tracks
- Comparison
- Automation considerations
- What do I need? Instrument channel or Instrument track?
- Instrument Freeze
- VST instruments and processor load
- Using presets for VSTi configuration
- About latency
- External instruments (Cubase only)
- Surround sound (Cubase only)
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- VST Sound
- The MediaBay
- Track Presets
- Track Quick Controls
- Automation
- MIDI realtime parameters and effects
- MIDI processing and quantizing
- The MIDI editors
- The Logical Editor, Transformer and Input Transformer
- The Project Logical Editor
- Working with System Exclusive messages
- Working with the Tempo track
- The Project Browser
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Page Mode
- Changing the Zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting key, clef and time signature
- Transposing instruments
- Working order
- Force update
- Transcribing MIDI recordings
- About this chapter
- About transcription
- Getting the parts ready
- Strategies: Preparing parts for score printout
- Staff settings
- The Main tab
- The Options tab
- The Polyphonic tab
- The Tablature tab
- Situations which require additional techniques
- Inserting display quantize changes
- Strategies: Adding display quantize changes
- The Explode function
- Using “Scores Notes To MIDI”
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and display quantize
- Creating crossed voicings
- Automatic polyphonic voicing - Merge All Staves
- Converting voices to tracks - Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Printing and exporting pages
- Frequently asked questions
- Tips and Tricks
- Index
614
Designing your score: additional techniques
Breaking bar lines
Sometimes you may not want a bar line to stretch all the
way across a grand staff. If this is the case, you have the
possibility to “break it”.
Manually
Breaking bar lines in one grand staff
1. Select the Erase tool.
2. Click on a bar line connecting the two staves.
All bar lines between these two staves (except the first and last) are bro-
ken. To break the first or last bar line in a grand staff, you need to click di-
rectly on these.
Before and after splitting the bar lines between two staves.
Breaking bar lines in several grand staves
If you hold down [Alt]/[Option] and click on a bar line as
described above, the corresponding bar lines are broken
in all following grand staves.
Re-connecting broken bar lines
If you have broken the bar lines, you can use the Glue tool
to connect them again.
1. Select the Glue tool.
2. Click on one of the bar lines in the staff above the bro-
ken bar lines.
All bar lines between these staves in this grand staff are connected.
• To re-connect bar lines in several grand staves, hold
down [Alt]/[Option] and click with the Glue tool.
The bar lines between the corresponding staves are connected in all fol-
lowing grand staves.
Automatically
If you have added brackets for some staves on the Score
Settings–Layout page (see “Adding brackets and braces”
on page 611), you can have bar lines broken between
each bracketed “section”, giving a clearer indication of
which staves belong together:
1. Open the Score Settings dialog from the Score menu
and, on the Project page, select the “Notation Style” sub-
page.
2. In the Bar Lines section, locate and activate the option
“Break Bar Lines with Brackets”.
• The option Break Last Brackets determines whether the
breaking of bar lines should also apply to the bar line at
the end of each row.