User manual
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- VST Connections: Setting up input and output busses
- The Project window
- Playback and the Transport panel
- Recording
- Fades, crossfades and envelopes
- The Arranger track
- Folder tracks
- Using markers
- The Transpose functions
- The mixer
- Control Room (Cubase only)
- Audio effects
- VST Instruments and Instrument tracks
- Introduction
- VST Instrument channels vs. instrument tracks
- VST Instrument channels
- Instrument tracks
- Comparison
- Automation considerations
- What do I need? Instrument channel or Instrument track?
- Instrument Freeze
- VST instruments and processor load
- Using presets for VSTi configuration
- About latency
- External instruments (Cubase only)
- Surround sound (Cubase only)
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- VST Sound
- The MediaBay
- Track Presets
- Track Quick Controls
- Automation
- MIDI realtime parameters and effects
- MIDI processing and quantizing
- The MIDI editors
- The Logical Editor, Transformer and Input Transformer
- The Project Logical Editor
- Working with System Exclusive messages
- Working with the Tempo track
- The Project Browser
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Page Mode
- Changing the Zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting key, clef and time signature
- Transposing instruments
- Working order
- Force update
- Transcribing MIDI recordings
- About this chapter
- About transcription
- Getting the parts ready
- Strategies: Preparing parts for score printout
- Staff settings
- The Main tab
- The Options tab
- The Polyphonic tab
- The Tablature tab
- Situations which require additional techniques
- Inserting display quantize changes
- Strategies: Adding display quantize changes
- The Explode function
- Using “Scores Notes To MIDI”
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and display quantize
- Creating crossed voicings
- Automatic polyphonic voicing - Merge All Staves
- Converting voices to tracks - Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Printing and exporting pages
- Frequently asked questions
- Tips and Tricks
- Index
612
Designing your score: additional techniques
Auto Layout
This item on the Scores menu brings up a dialog with sev-
eral options. Activating one of these makes the program
“walk through” the score and make adjustments to mea-
sure widths, staff distances etc. automatically. Exactly
which parts and properties of the score are affected de-
pends on which option you activate/deactivate.
Ö You can also open the Auto Layout dialog by clicking
the Auto Layout button on the extended toolbar.
Move bars
This option looks at the currently active grand staff, and
attempts to adjust the measure widths, so that all notes
and symbols get as much room as possible. The number
of bars on the staff is not affected.
• You can perform this function for several staves in one
go, by dragging a selection rectangle over their left edges,
and then selecting Move Bars.
Move Staves
This changes the measure width (as with Move Bars) but
also the vertical staff distance, of the active staff and all
following staves.
Spread Page
This corrects the vertical layout of the staves on the cur-
rent page, so that they “fit onto the page”. In other words,
this removes white space at the bottom of the page.
Hide Empty Staves
This hides all empty staves, from the active staff to the end
of the score. Note that polyphonic/split staves are in this
case treated as one entity, if the clef in the upper system
differs from that in the lower system. That is, a piano staff
is considered “empty” only if there are no notes on either
staff.
• If you have activated the “Hidden” option on the Filter
Bar, hidden staves are indicated by a marker with the text
“Hide:Name” (where “Name” is the staff name).
To display hidden staves, delete their “Hide” markers.
• If you activate the option “Auto Layout: Don’t hide first
staff” in the Preferences dialog (Scores-Editing page),
staves in the very first grand staff will not be hidden, even
if they are empty.
This is useful for example if you are creating an orchestra score, and want
to show the complete “layout” of the orchestra on the first page of the
score, without hiding anything.
All Pages
Activate this if you want to apply the options above to all
pages. Please note that this setting will be applied to the
active staff and onwards. If you want all pages in the score
to be affected, you have to make the very first staff (the
first staff on the first page) the active staff.
Move Bars and Staves
This is a combination of “Move Bars”, “Move Staves”, and
“All Pages”, plus automatic calculation of the number of
bars across the page – the function tries to optimize the
number of bars across the page for each staff (with the
maximum number of bars as set in the dialog).
!
The automatic layout adjustments are done just as if
you yourself had made them manually. This means
that if there’s something you don’t like, you can al-
ways change it manually, as described above.