User manual
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- VST Connections: Setting up input and output busses
- The Project window
- Playback and the Transport panel
- Recording
- Fades, crossfades and envelopes
- The Arranger track
- Folder tracks
- Using markers
- The Transpose functions
- The mixer
- Control Room (Cubase only)
- Audio effects
- VST Instruments and Instrument tracks
- Introduction
- VST Instrument channels vs. instrument tracks
- VST Instrument channels
- Instrument tracks
- Comparison
- Automation considerations
- What do I need? Instrument channel or Instrument track?
- Instrument Freeze
- VST instruments and processor load
- Using presets for VSTi configuration
- About latency
- External instruments (Cubase only)
- Surround sound (Cubase only)
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- VST Sound
- The MediaBay
- Track Presets
- Track Quick Controls
- Automation
- MIDI realtime parameters and effects
- MIDI processing and quantizing
- The MIDI editors
- The Logical Editor, Transformer and Input Transformer
- The Project Logical Editor
- Working with System Exclusive messages
- Working with the Tempo track
- The Project Browser
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Page Mode
- Changing the Zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting key, clef and time signature
- Transposing instruments
- Working order
- Force update
- Transcribing MIDI recordings
- About this chapter
- About transcription
- Getting the parts ready
- Strategies: Preparing parts for score printout
- Staff settings
- The Main tab
- The Options tab
- The Polyphonic tab
- The Tablature tab
- Situations which require additional techniques
- Inserting display quantize changes
- Strategies: Adding display quantize changes
- The Explode function
- Using “Scores Notes To MIDI”
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and display quantize
- Creating crossed voicings
- Automatic polyphonic voicing - Merge All Staves
- Converting voices to tracks - Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Printing and exporting pages
- Frequently asked questions
- Tips and Tricks
- Index
585
Working with text
About this chapter
In this chapter you will learn:
• Which different types of text are available.
• How to enter and edit text.
• How to set font, size and style.
• How to enter lyrics.
Adding and editing text symbols
This section describes the general procedure for adding
and editing text symbols. As described in the section
“Different types of text” on page 587, there are several dif-
ferent types of text symbols, but the basic procedures are
the same (except for block text symbols, see “Block Text”
on page 589, and page text symbols, see “Page text” on
page 589).
Inserting a text symbol
1. If you wish, select a font, size and style for the text (or
select a text attribute), as described in the section “Selec-
ting font, size and style for the text” on page 586.
The text you insert will use the text settings made when no text is selected,
but you can change all settings after you inserted the text.
2. Open the desired symbol tab in the Inspector.
The different text symbols are found on the Other, Layout and Project sym-
bol tabs. For information on how to show Inspector tabs, see “Showing/Hi-
ding symbol Inspector tabs” on page 558.
3. Click on the text symbol in the tab to select the Pencil
tool.
4. Make sure the correct staff is active, and click in the
score at the position where you want the text to appear.
If you are adding lyrics, you should click above or below a note (lyrics are
centered around each note and positioned vertically to where you clicked).
See “Lyrics” on page 587.
5. Enter the text in the text box that appears.
You can use [Backspace] to delete letters, and move the cursor with the
arrow keys.
6. When you are done, press [Return].
The text appears. You can move, duplicate or delete it as with any symbol.
About the melisma lines
When you add a text symbol, you will find a handle at the
right edge of the text. By dragging this handle to the right,
you can extend a “melisma line” from the text. This has
several uses:
• If you are adding lyrics and want to indicate that a syllable
should be sung over several notes:
• If the text is an advice about articulation or playing style, and
you want it to apply to a certain musical phrase only:
• If the text is an advice about articulation or playing style, and
you want it to apply from that point on in the score:
On the Score Settings–Project page, Text Settings sub-
page, you will find two settings that determine the appear-
ance of the melisma lines:
• The Melisma Style pop-up is where you specify whether the
line should be solid or dotted.
• The Melisma End pop-up allows you to choose whether the
end of the line should be plain, have an arrow, or form a
“bracket” up or down.
Making space
• If you find there isn’t enough space between staves, e.g. to
add lyrics, please see “Dragging staves” on page 610 for info
on how to separate the staves.
• If you find the score looks crammed after adding text, see
“Auto Layout” on page 612.