User manual
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- VST Connections: Setting up input and output busses
- The Project window
- Playback and the Transport panel
- Recording
- Fades, crossfades and envelopes
- The Arranger track
- Folder tracks
- Using markers
- The Transpose functions
- The mixer
- Control Room (Cubase only)
- Audio effects
- VST Instruments and Instrument tracks
- Introduction
- VST Instrument channels vs. instrument tracks
- VST Instrument channels
- Instrument tracks
- Comparison
- Automation considerations
- What do I need? Instrument channel or Instrument track?
- Instrument Freeze
- VST instruments and processor load
- Using presets for VSTi configuration
- About latency
- External instruments (Cubase only)
- Surround sound (Cubase only)
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- VST Sound
- The MediaBay
- Track Presets
- Track Quick Controls
- Automation
- MIDI realtime parameters and effects
- MIDI processing and quantizing
- The MIDI editors
- The Logical Editor, Transformer and Input Transformer
- The Project Logical Editor
- Working with System Exclusive messages
- Working with the Tempo track
- The Project Browser
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Page Mode
- Changing the Zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting key, clef and time signature
- Transposing instruments
- Working order
- Force update
- Transcribing MIDI recordings
- About this chapter
- About transcription
- Getting the parts ready
- Strategies: Preparing parts for score printout
- Staff settings
- The Main tab
- The Options tab
- The Polyphonic tab
- The Tablature tab
- Situations which require additional techniques
- Inserting display quantize changes
- Strategies: Adding display quantize changes
- The Explode function
- Using “Scores Notes To MIDI”
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and display quantize
- Creating crossed voicings
- Automatic polyphonic voicing - Merge All Staves
- Converting voices to tracks - Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Printing and exporting pages
- Frequently asked questions
- Tips and Tricks
- Index
582
Working with chords
• To open the Edit Chord Symbol dialog for an existing
chord, double-click on the symbol.
You can also right-click on the symbol and select “Properties” on the
context menu to open the dialog.
Using presets
As with many other functions in Cubase, you can create
chord symbol presets for instant use. Each preset con-
tains all settings in the dialog – i.e. the preset list is a
“library” of chords. You will find the presets in the Chord
Symbols tab in the Inspector and in the corresponding
context menu. The preset handling is the usual:
• Click Store to store the current settings as a preset.
A dialog will appear, allowing you to enter a name for the preset.
• To load a stored preset, select it from the Presets pop-
up menu or select it from the Presets submenu of the con-
text menu.
Note that this only loads the settings into the dialog – you need to click
Apply to apply the settings to a selected chord symbol.
• To remove a preset, select it on the pop-up menu and
click Remove.
Using Make Chord Symbol
If you already have recorded the chords for a project,
Cubase can analyze them and create chord symbols:
1. Open the recording in the Score Editor.
If you want the chords to be inserted on another track, you can create an
empty part on that track and open it along with the recording.
2. If you like, make settings for how the chords should be
displayed on the Score Settings–Project page, on the
Chord Symbols and the Notation Fonts subpages.
You can change all these settings after you inserted the chords as well.
3. Select the notes for which you want chord symbols to
be created.
If chord symbols should be created for all chords on the track, use the
Select All function on the Edit menu.
4. Use the arrow keys to make the desired staff active.
This should be the staff on which you want the chord symbols to end up.
5. Select “Make Chord Symbol” from the Scores menu.
The chords appear. They can be moved, duplicated and deleted as any
other symbol. You can also double-click on a chord symbol to edit it in
the Edit Chord Symbol dialog (in the same way as when creating chords
manually – see above).
A staff after using Make Chord Symbol.
• Instead of using the “Make Chord Symbol” menu item,
you can click on the Make Chord Symbol button on the
extended toolbar.
• If the option “Use for ‘Make Chord Symbol’” is activated
in the Guitar Library subpage of the Score Settings–Project
page (see “Adding guitar chord symbols” on page 566),
guitar chord symbols will be added as well (if the guitar li-
brary contains any guitar symbols that match the chords).
About the analysis
• The MIDI chords are expected to be played in their most basic
inversion. If not, an extra bass note is added. For example, the
notes CEG are interpreted as C major, but GCE is interpreted
as C major with a G bass note. If you don’t want any interpre-
tation of the inversion (i.e. no added bass notes) hold down
[Ctrl]/[Command] while selecting Make Chord Symbol.
• All selected notes on all staves are taken into consideration.
Whenever there is any change on any staff, the notes are rein-
terpreted and a new chord symbol is added. This means you
should probably avoid having the melody track in the Score
Editor when you use Make Chord Symbol, or you will get a lot
more chords than you expect, possibly with strange tensions.
• In addition to the above, the quantize value is used. At the
most, there will be a new chord at each quantize position.
• There must be at least three notes at a certain position for the
program to interpret it as a chord. Also some combinations of
notes simply don’t make any sense to the program and won’t
produce any chords.
• The analysis method isn’t perfect since the same set of notes
can be interpreted differently depending on context. Some
editing may be required. If you record the track solely to create
chords automatically, play the chord as simple as possible, in
the correct inversion, without added octaves, etc.