User manual
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- VST Connections: Setting up input and output busses
- The Project window
- Playback and the Transport panel
- Recording
- Fades, crossfades and envelopes
- The Arranger track
- Folder tracks
- Using markers
- The Transpose functions
- The mixer
- Control Room (Cubase only)
- Audio effects
- VST Instruments and Instrument tracks
- Introduction
- VST Instrument channels vs. instrument tracks
- VST Instrument channels
- Instrument tracks
- Comparison
- Automation considerations
- What do I need? Instrument channel or Instrument track?
- Instrument Freeze
- VST instruments and processor load
- Using presets for VSTi configuration
- About latency
- External instruments (Cubase only)
- Surround sound (Cubase only)
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- VST Sound
- The MediaBay
- Track Presets
- Track Quick Controls
- Automation
- MIDI realtime parameters and effects
- MIDI processing and quantizing
- The MIDI editors
- The Logical Editor, Transformer and Input Transformer
- The Project Logical Editor
- Working with System Exclusive messages
- Working with the Tempo track
- The Project Browser
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Page Mode
- Changing the Zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting key, clef and time signature
- Transposing instruments
- Working order
- Force update
- Transcribing MIDI recordings
- About this chapter
- About transcription
- Getting the parts ready
- Strategies: Preparing parts for score printout
- Staff settings
- The Main tab
- The Options tab
- The Polyphonic tab
- The Tablature tab
- Situations which require additional techniques
- Inserting display quantize changes
- Strategies: Adding display quantize changes
- The Explode function
- Using “Scores Notes To MIDI”
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and display quantize
- Creating crossed voicings
- Automatic polyphonic voicing - Merge All Staves
- Converting voices to tracks - Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Printing and exporting pages
- Frequently asked questions
- Tips and Tricks
- Index
573
Working with symbols
• By dragging the end points of a slur or tie, you can
change its shape without affecting its “relation” to the
notes it belongs to.
In other words, the end point of the slur/tie will then keep its relative dis-
tance to that note when the note is moved with the Layout tool or when
the measure width is adjusted.
• By holding down [Ctrl]/[Command] and dragging the
end points of a slur or tie, it can be detached from the
notes it belonged to.
• To change the default shape and spacing of slurs and
ties, open the Score Settings–Project page and edit the
settings “Slur’s Start & End Distance from Note Head”
and “Slur’s Middle Distance from Note Head” in the Spac-
ings subpage.
These settings will be used for all new slurs and ties you create, as well as
for all existing slurs for which you haven’t manually changed the shape.
Deleting symbols
This is done as with all other objects in Cubase, either
with the Erase tool or by selecting it and pressing [Delete]
or [Backspace].
Copy and paste
All symbols except those in the Layout and Project tabs
can be copied and pasted just as any other object in Cu-
base. The following applies:
• Symbols that were tied to notes (e.g. accents) will be-
come “free-floating” objects when pasted.
That is, they are not tied to any note any more. If this is not what you
want, consider copying with the bar handles, as described in the section
“Moving and duplicating with the bar handles” on page 571.
Alignment
Symbols can be aligned as in drawing programs. Proceed
as follows:
1. Select all objects you want to align.
2. On the Scores menu, Align Elements submenu, select
the desired option.
!
To restore the default shape of a symbol, right-click
on it and select “Default position” from the context
menu that appears. See “About moving note sym-
bols” on page 572.
Option Result
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