User manual
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- VST Connections: Setting up input and output busses
- The Project window
- Playback and the Transport panel
- Recording
- Fades, crossfades and envelopes
- The Arranger track
- Folder tracks
- Using markers
- The Transpose functions
- The mixer
- Control Room (Cubase only)
- Audio effects
- VST Instruments and Instrument tracks
- Introduction
- VST Instrument channels vs. instrument tracks
- VST Instrument channels
- Instrument tracks
- Comparison
- Automation considerations
- What do I need? Instrument channel or Instrument track?
- Instrument Freeze
- VST instruments and processor load
- Using presets for VSTi configuration
- About latency
- External instruments (Cubase only)
- Surround sound (Cubase only)
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- VST Sound
- The MediaBay
- Track Presets
- Track Quick Controls
- Automation
- MIDI realtime parameters and effects
- MIDI processing and quantizing
- The MIDI editors
- The Logical Editor, Transformer and Input Transformer
- The Project Logical Editor
- Working with System Exclusive messages
- Working with the Tempo track
- The Project Browser
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Page Mode
- Changing the Zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting key, clef and time signature
- Transposing instruments
- Working order
- Force update
- Transcribing MIDI recordings
- About this chapter
- About transcription
- Getting the parts ready
- Strategies: Preparing parts for score printout
- Staff settings
- The Main tab
- The Options tab
- The Polyphonic tab
- The Tablature tab
- Situations which require additional techniques
- Inserting display quantize changes
- Strategies: Adding display quantize changes
- The Explode function
- Using “Scores Notes To MIDI”
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and display quantize
- Creating crossed voicings
- Automatic polyphonic voicing - Merge All Staves
- Converting voices to tracks - Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Printing and exporting pages
- Frequently asked questions
- Tips and Tricks
- Index
572
Working with symbols
• If you didn’t hold down [Alt]/[Option] when dragging the bar
handle, the symbols (and other event types specified in the di-
alog) are removed from the “source” bar.
About moving note symbols
Note symbols, slurs and ties all have “default positions”.
This determines the vertical distance between the note
head(s) and the symbol.
• You can manually adjust the vertical positions of individ-
ual symbols, but if you move or transpose their notes, the
symbols are automatically reset to their default positions.
This also ensures that note symbols and slurs are positioned sensibly
when you change the display transpose settings.
• To reset the vertical positions of note symbols and slurs
in a score, right-click on the corresponding object and se-
lect “Default position” from the context menu that appears.
Changing length, size and shape
You can change the shape of any symbol that has a
length. Proceed as follows:
Changing the length of a symbol
1. Select the symbol.
The handles appear.
Symbols with a length have two handles when selected.
2. Drag one of the handles.
You may be restricted to vertically or horizontally only, depending on the
type of symbol.
Resizing note symbols and dynamics
1. Right-click on a dynamic or note symbol.
2. Select the desired option from the Size submenu.
The size of the symbol will change accordingly.
Changing the symbol size.
Altering the shape and direction of slurs and
ties
Ö This section describes how to alter the “regular” slur
and tie symbols. How to add and edit Bezier slur symbols
is described in the section “The Bezier slur” on page 564.
There are two types of slurs and ties in the symbol Inspec-
tor. The up/down variation of each actually represent the
same symbol but with different initial direction. You can
perform the following editing to slurs and ties:
• By dragging the middle handle up/down you can
change the shape of the curve.
Dragging the middle handle of a slur changes its shape.
• By selecting a slur or a tie and clicking the “Flip” symbol
on the extended toolbar or by selecting “Flip Position” in
the context menu, you can change the direction and posi-
tioning of the slur or tie.
Actually, there are three “modes” for a slur or tie. You step through these
three modes by clicking the button:
!
If there already are symbols (or other objects) of the
specified types in the “target” bars, these will be re-
moved!
!
In the Preferences dialog (Scores-Editing page),
there is a preference called “Keep Crescendo Sym-
bols Horizontal”. When this is activated, crescendo
and diminuendo symbols will never be slanted.