User manual
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- VST Connections: Setting up input and output busses
- The Project window
- Playback and the Transport panel
- Recording
- Fades, crossfades and envelopes
- The Arranger track
- Folder tracks
- Using markers
- The Transpose functions
- The mixer
- Control Room (Cubase only)
- Audio effects
- VST Instruments and Instrument tracks
- Introduction
- VST Instrument channels vs. instrument tracks
- VST Instrument channels
- Instrument tracks
- Comparison
- Automation considerations
- What do I need? Instrument channel or Instrument track?
- Instrument Freeze
- VST instruments and processor load
- Using presets for VSTi configuration
- About latency
- External instruments (Cubase only)
- Surround sound (Cubase only)
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- VST Sound
- The MediaBay
- Track Presets
- Track Quick Controls
- Automation
- MIDI realtime parameters and effects
- MIDI processing and quantizing
- The MIDI editors
- The Logical Editor, Transformer and Input Transformer
- The Project Logical Editor
- Working with System Exclusive messages
- Working with the Tempo track
- The Project Browser
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Page Mode
- Changing the Zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting key, clef and time signature
- Transposing instruments
- Working order
- Force update
- Transcribing MIDI recordings
- About this chapter
- About transcription
- Getting the parts ready
- Strategies: Preparing parts for score printout
- Staff settings
- The Main tab
- The Options tab
- The Polyphonic tab
- The Tablature tab
- Situations which require additional techniques
- Inserting display quantize changes
- Strategies: Adding display quantize changes
- The Explode function
- Using “Scores Notes To MIDI”
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and display quantize
- Creating crossed voicings
- Automatic polyphonic voicing - Merge All Staves
- Converting voices to tracks - Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Printing and exporting pages
- Frequently asked questions
- Tips and Tricks
- Index
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Additional note and rest formatting
From here on there are two ways to go:
• Select the note(s) and click the “i” icon on the extended
toolbar.
The Set Note Info dialog appears and you can select the Grace note type
and make other settings if needed.
• Right-click on one of the notes and select “Convert to
Grace Note” from the context menu.
This turns the note into a grace note without opening any dialog.
Grace notes and beaming
• If two grace notes are at exactly the same position (the same
tick), they will be put onto the same stem, as a chord.
• If multiple grace notes in front of the same note are put on dif-
ferent positions (even if they are only one tick apart), they will
be grouped under a beam.
• Please note that it is possible to have beamed grace notes
overlapping a beam of regular notes, as in the example below:
Grace notes in the middle of a group of regular notes.
Editing a grace note
1. Select one or several grace notes and open the Set
Note Info dialog.
The grace note settings in the Set Note Info dialog.
2. Select a note value for the stem.
3. Activate Crossed, if you wish.
When this is activated, the stem will be crossed by a slanted line, to fur-
ther indicate that the note is a grace note.
4. Click Apply.
The settings are applied to the selected note(s).
5. If you like, select other notes and make settings for
them.
When you are done, close the dialog by clicking its close button.
Converting grace notes to normal notes
1. Select the notes you want to convert.
If you want to make sure that all notes in the score are normal notes, you
can select all notes (using the Select All command on the Edit menu).
2. Double-click on one of the selected grace notes.
The Set Note Info dialog appears.
3. Select “Normal” from the “Type” pop-up.
4. Click Apply.
Tuplets
The regular display quantize values do not apply to any
other divisions than triplets. To create quintuplets, septu-
plets etc., follow the instructions below.
There are two methods for creating tuplets:
• With permanent alteration to the MIDI data. This is the “draw-
ing” mode to use when you want to build the tuplet from
scratch. It doesn’t put any demand on the notes’ positions be-
fore the tuplet is created.
• As display quantize. This is the method you use when the tu-
plet is recorded and plays back as you want it, but is not dis-
played correctly.
Actually, in the first case, you make permanent alterations
and set display quantize settings, all in one go. In the se-
cond case you only make display quantize settings.
With permanent change to MIDI data
1. Insert as many notes as the tuplet consists of.
This would typically be 5, 7 or 9. If the tuplet contains rests, simply leave
space for those, but make sure the current display quantize value allows
them to be shown.
Five sixteenth notes, about to be converted to a quintuplet.
2. Select all the notes that make up the tuplet.