User manual
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- VST Connections: Setting up input and output busses
- The Project window
- Playback and the Transport panel
- Recording
- Fades, crossfades and envelopes
- The Arranger track
- Folder tracks
- Using markers
- The Transpose functions
- The mixer
- Control Room (Cubase only)
- Audio effects
- VST Instruments and Instrument tracks
- Introduction
- VST Instrument channels vs. instrument tracks
- VST Instrument channels
- Instrument tracks
- Comparison
- Automation considerations
- What do I need? Instrument channel or Instrument track?
- Instrument Freeze
- VST instruments and processor load
- Using presets for VSTi configuration
- About latency
- External instruments (Cubase only)
- Surround sound (Cubase only)
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- VST Sound
- The MediaBay
- Track Presets
- Track Quick Controls
- Automation
- MIDI realtime parameters and effects
- MIDI processing and quantizing
- The MIDI editors
- The Logical Editor, Transformer and Input Transformer
- The Project Logical Editor
- Working with System Exclusive messages
- Working with the Tempo track
- The Project Browser
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Page Mode
- Changing the Zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting key, clef and time signature
- Transposing instruments
- Working order
- Force update
- Transcribing MIDI recordings
- About this chapter
- About transcription
- Getting the parts ready
- Strategies: Preparing parts for score printout
- Staff settings
- The Main tab
- The Options tab
- The Polyphonic tab
- The Tablature tab
- Situations which require additional techniques
- Inserting display quantize changes
- Strategies: Adding display quantize changes
- The Explode function
- Using “Scores Notes To MIDI”
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and display quantize
- Creating crossed voicings
- Automatic polyphonic voicing - Merge All Staves
- Converting voices to tracks - Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Printing and exporting pages
- Frequently asked questions
- Tips and Tricks
- Index
551
Additional note and rest formatting
3. Drag the handle up or down.
The slant of the beam changes.
Dragging a handle and the effect it has.
Ö You can adjust the distance between notes and their
beam without changing the beam slant. Select both handles
of a beam (by pressing the [Shift] key while selecting the
second handle) and drag one of the handles up or down.
Mixed staff direction
By dragging the beam handles you can put the beam be-
tween the note heads:
Putting the beam between the notes.
About tied notes
Sometimes, notes will be displayed as two or more notes
tied together. Generally, there are three different occa-
sions when this will happen:
• When a note is of an “uneven” length that cannot be displayed
without tying together two or more notes of different note val-
ues.
• When a note crosses a bar line.
• When a note crosses a “group line” within a bar.
The last case requires some explanation: Cubase uses a
“cutting mechanism” that automatically creates tied notes
depending on the length and position of the notes. For ex-
ample, a quarter note is cut in two and tied if it crosses a
half note beat, and an eighth note is cut in two and tied if it
crosses a quarter note beat:
However, this isn’t always what you want. There are three
ways to affect the cutting mechanism:
Syncopation
When the Syncopation option is activated on the Main tab
of the Score Settings–Staff page, Cubase will be less
prone to cut and tie notes. For example, the second quar-
ter note in the figure above would not have been cut if syn-
copation had been activated.
The Syncopation setting on the Score Settings–Staff
page affects the whole track, but you can also make syn-
copation settings for separate sections in the score, by in-
serting display quantize events (see “Inserting display
quantize changes” on page 509).
Time signature changes
By inserting time signature changes, you can change the
way notes are cut. This is done in the same way as when
you specify how beamed notes should be grouped – see
“Grouping” on page 547.
The Cut Notes tool
By using the Cut Notes tool, you can disable the auto-
matic cutting mechanism in a bar, and insert manual cuts
at any given position in the score:
1. Select the Cut Notes tool.
This quarter note is cut.
This eighth note is cut.
With a regular 4/4 time signature.
With a composite time signature (3+2+3 eighth notes).