User manual
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- VST Connections: Setting up input and output busses
- The Project window
- Playback and the Transport panel
- Recording
- Fades, crossfades and envelopes
- The Arranger track
- Folder tracks
- Using markers
- The Transpose functions
- The mixer
- Control Room (Cubase only)
- Audio effects
- VST Instruments and Instrument tracks
- Introduction
- VST Instrument channels vs. instrument tracks
- VST Instrument channels
- Instrument tracks
- Comparison
- Automation considerations
- What do I need? Instrument channel or Instrument track?
- Instrument Freeze
- VST instruments and processor load
- Using presets for VSTi configuration
- About latency
- External instruments (Cubase only)
- Surround sound (Cubase only)
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- VST Sound
- The MediaBay
- Track Presets
- Track Quick Controls
- Automation
- MIDI realtime parameters and effects
- MIDI processing and quantizing
- The MIDI editors
- The Logical Editor, Transformer and Input Transformer
- The Project Logical Editor
- Working with System Exclusive messages
- Working with the Tempo track
- The Project Browser
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Page Mode
- Changing the Zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting key, clef and time signature
- Transposing instruments
- Working order
- Force update
- Transcribing MIDI recordings
- About this chapter
- About transcription
- Getting the parts ready
- Strategies: Preparing parts for score printout
- Staff settings
- The Main tab
- The Options tab
- The Polyphonic tab
- The Tablature tab
- Situations which require additional techniques
- Inserting display quantize changes
- Strategies: Adding display quantize changes
- The Explode function
- Using “Scores Notes To MIDI”
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and display quantize
- Creating crossed voicings
- Automatic polyphonic voicing - Merge All Staves
- Converting voices to tracks - Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Printing and exporting pages
- Frequently asked questions
- Tips and Tricks
- Index
550
Additional note and rest formatting
5. If needed, adjust the beam appearance (see “Manual
adjustment of beams” on page 550).
Cross staff beaming with the beam in the middle.
As the name of the option already implies, Display In Staff
does not move the affected notes to another track, but
merely displays them as if they belonged to the other staff.
Handling beam groups
There are two settings for groups under a beam, Beam
Subgroups and 16th Subgroups, both found on the Op-
tions tab on the Score Settings–Staff page. If “Beam Sub-
groups” is activated, the program displays subgroups after
four sixteenth notes under a beam. If you also activate “16th
Subgroups”, subgroups appear after only two sixteenths.
“Beam Subgroups” off, on and on with “16th Subgroups” activated.
Beam appearance and slant settings
Global settings
On the Score Settings–Project page (Notation Style sub-
page), you will find the following three options for beam
appearance in the Beams category:
• Thick Beams.
Activate this if you want beams to be displayed as thick lines.
• Show Small Slants as Flat Beams.
When this is activated, beams that would be only slightly slanted will be
displayed flat.
Without and with “Show Small Slants as Flat Beams”.
• Slanted Beams only Slightly Slanted.
Activate this if you only want a slightly slanted beam even though there
might be a significant pitch difference between the notes under the beam.
Without and with “Slanted Beams only Slightly Slanted”.
Staff settings
On the Options tab of the Score Settings–Staff page, you
will find a couple of settings for beams as well.
Manual adjustment of beams
For very detailed control you can manually adjust the
beam slant:
1. Group and flip notes and adjust the settings described
above until the beams are as close as possible to how you
want them.
2. Click on the corner made up by the beam and the
stem.
A handle appears on the corner of beam and stem.
A beam handle.
!
Please note that these settings apply equally to all
staves.
Option Description
Flat Beams Activate this when you don’t want any slant at all, no matter
the pitch difference of the notes under the beams.
No Beams Activate this when you don’t want any beams at all.