User manual
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- VST Connections: Setting up input and output busses
- The Project window
- Playback and the Transport panel
- Recording
- Fades, crossfades and envelopes
- The Arranger track
- Folder tracks
- Using markers
- The Transpose functions
- The mixer
- Control Room (Cubase only)
- Audio effects
- VST Instruments and Instrument tracks
- Introduction
- VST Instrument channels vs. instrument tracks
- VST Instrument channels
- Instrument tracks
- Comparison
- Automation considerations
- What do I need? Instrument channel or Instrument track?
- Instrument Freeze
- VST instruments and processor load
- Using presets for VSTi configuration
- About latency
- External instruments (Cubase only)
- Surround sound (Cubase only)
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- VST Sound
- The MediaBay
- Track Presets
- Track Quick Controls
- Automation
- MIDI realtime parameters and effects
- MIDI processing and quantizing
- The MIDI editors
- The Logical Editor, Transformer and Input Transformer
- The Project Logical Editor
- Working with System Exclusive messages
- Working with the Tempo track
- The Project Browser
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Page Mode
- Changing the Zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting key, clef and time signature
- Transposing instruments
- Working order
- Force update
- Transcribing MIDI recordings
- About this chapter
- About transcription
- Getting the parts ready
- Strategies: Preparing parts for score printout
- Staff settings
- The Main tab
- The Options tab
- The Polyphonic tab
- The Tablature tab
- Situations which require additional techniques
- Inserting display quantize changes
- Strategies: Adding display quantize changes
- The Explode function
- Using “Scores Notes To MIDI”
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and display quantize
- Creating crossed voicings
- Automatic polyphonic voicing - Merge All Staves
- Converting voices to tracks - Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Printing and exporting pages
- Frequently asked questions
- Tips and Tricks
- Index
548
Additional note and rest formatting
Grouping quarter notes or larger under a beam
(“Brillenbass”)
It is also possible to use the grouping feature for notes
that are not displayed with beams (quarter notes, half
notes, etc.). The result are so called “Brillenbass” sym-
bols, commonly used for indicating repeated accompani-
ment patterns, etc.
• Double-clicking on the “Grouping” text opens the
Grouping dialog, allowing you to adjust the “note value”
for the symbols.
Grouping notes using Repeats
To show Repeats for the grouped notes, proceed as
follows:
1. Display the display filter bar in the Scores window (by
clicking the “Show Filter View” button on the toolbar) and
make sure the “Grouping” checkbox is activated.
Now, you will see the text “Grouping” below all groups you have created.
2. Select the desired notes.
3. Right-click on one of the notes and from the Group/
Ungroup submenu, select “Repeat…”.
A dialog appears.
4. Use the radio buttons to select the desired note value
for the repeats.
In this example, the “Repeat” feature is used to display two pairs of six-
teenth notes as two eighth notes with “repeat bars”. Note that the second
and fourth sixteenth note have only been hidden – playback is not affected!
5. Click OK to close the dialog.
• Double-clicking on the “Grouping” text opens the
Grouping dialog, allowing you to adjust the “note value”
for the symbols.
Creating an accelerando/ritardando
To create an accelerando/ritardando, proceed as follows:
1. Select the notes as described above and select
“Accelerando” from the Group/Ungroup submenu.
A dialog appears.
2. Use the radio buttons to select the desired combina-
tion (i.e. define whether you want an accelerando or a ri-
tardando and specify the desired note values) and click
OK to close the dialog.
Example for accelerando (on the right) and ritardando (on the left).
• Double-clicking on the “Grouping” text opens the Group-
ing dialog, allowing you to select another combination.
The Grouping dialog
As described above, the Grouping dialog can also be
opened by double-clicking an existing grouping text in the
score.
• Which Grouping dialog appears depends on the group-
ing option you used for the notes (Beam, Repeats or Ac-
celerando, see above).