User manual
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- VST Connections: Setting up input and output busses
- The Project window
- Playback and the Transport panel
- Recording
- Fades, crossfades and envelopes
- The Arranger track
- Folder tracks
- Using markers
- The Transpose functions
- The mixer
- Control Room (Cubase only)
- Audio effects
- VST Instruments and Instrument tracks
- Introduction
- VST Instrument channels vs. instrument tracks
- VST Instrument channels
- Instrument tracks
- Comparison
- Automation considerations
- What do I need? Instrument channel or Instrument track?
- Instrument Freeze
- VST instruments and processor load
- Using presets for VSTi configuration
- About latency
- External instruments (Cubase only)
- Surround sound (Cubase only)
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- VST Sound
- The MediaBay
- Track Presets
- Track Quick Controls
- Automation
- MIDI realtime parameters and effects
- MIDI processing and quantizing
- The MIDI editors
- The Logical Editor, Transformer and Input Transformer
- The Project Logical Editor
- Working with System Exclusive messages
- Working with the Tempo track
- The Project Browser
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Page Mode
- Changing the Zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting key, clef and time signature
- Transposing instruments
- Working order
- Force update
- Transcribing MIDI recordings
- About this chapter
- About transcription
- Getting the parts ready
- Strategies: Preparing parts for score printout
- Staff settings
- The Main tab
- The Options tab
- The Polyphonic tab
- The Tablature tab
- Situations which require additional techniques
- Inserting display quantize changes
- Strategies: Adding display quantize changes
- The Explode function
- Using “Scores Notes To MIDI”
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and display quantize
- Creating crossed voicings
- Automatic polyphonic voicing - Merge All Staves
- Converting voices to tracks - Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Printing and exporting pages
- Frequently asked questions
- Tips and Tricks
- Index
547
Additional note and rest formatting
Copying settings between notes
If you have made various settings in the Set Note Info dia-
log for a note, and want to use these settings for other
notes as well, there is an easy way to do this:
1. Set up the first note as desired.
This includes the settings in the Set Note Info dialog, but also any note-
related symbols (such as accents, staccato, articulation, etc. – see “Ad-
ding note symbols” on page 562).
2. In the score, select the note and select “Copy” from
the Edit menu.
3. Select the notes to which you want to copy the at-
tributes.
4. Right-click the notes to which you want to copy the at-
tributes, and select “Paste Note Attributes” from the con-
text menu.
The selected notes will now get the attributes of the first, copied note,
but their pitches and note values will remain unchanged.
Handling beaming
Turning beaming on/off
Beaming is enabled/disabled independently for each staff.
1. Click the Options tab.
2. To turn off beaming, activate No Beams and click Apply.
Even if beaming is deactivated for the staff, you can put
some notes under beams, as described below.
Grouping
When beaming is on, the program automatically groups
notes under beams. However, there are a number of ways
to determine how notes are grouped.
Using the Edit Time Signature dialog
The time signature for the score naturally affects grouping.
But you can control this yourself by creating a composite
time signature used only for grouping:
1. Open the Edit Time Signature dialog by double-click-
ing the time signature symbol for the staff.
2. Set up the numerator with the grouping you desire.
If you for example want eighth notes in two groups of three and one
group of two, enter 3+3+2.
3. Set the denominator, if necessary.
4. Activate “For Grouping Only”.
The time signature dialog with “For Grouping Only” activated.
5. Click OK.
Regular grouping of a number of eighth notes or smaller
(“Beam”)
If the grouping the program assigns isn’t the one you
want, you can put any selection of eighth notes or smaller
under a beam:
1. Select at least two notes, where you want the beam to
begin and end.
You can also select notes in between these two if you wish, it doesn’t
matter.
2. Click the Group Notes icon on the extended toolbar or
right-click on one of the notes to be grouped and select
“Beam” from the “Group/Ungroup” submenu of the con-
text menu.
The Group Notes icon
Before and after grouping.
• Double-clicking on the “Grouping” text opens the
Grouping dialog, allowing you to adjust the “note value”
for the symbols.
!
Please note that the “For Grouping Only” setting only
affects the way the numerator is divided. Any changes
you make to the “sum” of the numerator number or the
denominator will result in a change of actual time sig-
nature in the project. If you need a grouping which
can’t be entered in the current time signature, you will
have to group notes manually, see below.