User manual
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- VST Connections: Setting up input and output busses
- The Project window
- Playback and the Transport panel
- Recording
- Fades, crossfades and envelopes
- The Arranger track
- Folder tracks
- Using markers
- The Transpose functions
- The mixer
- Control Room (Cubase only)
- Audio effects
- VST Instruments and Instrument tracks
- Introduction
- VST Instrument channels vs. instrument tracks
- VST Instrument channels
- Instrument tracks
- Comparison
- Automation considerations
- What do I need? Instrument channel or Instrument track?
- Instrument Freeze
- VST instruments and processor load
- Using presets for VSTi configuration
- About latency
- External instruments (Cubase only)
- Surround sound (Cubase only)
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- VST Sound
- The MediaBay
- Track Presets
- Track Quick Controls
- Automation
- MIDI realtime parameters and effects
- MIDI processing and quantizing
- The MIDI editors
- The Logical Editor, Transformer and Input Transformer
- The Project Logical Editor
- Working with System Exclusive messages
- Working with the Tempo track
- The Project Browser
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Page Mode
- Changing the Zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting key, clef and time signature
- Transposing instruments
- Working order
- Force update
- Transcribing MIDI recordings
- About this chapter
- About transcription
- Getting the parts ready
- Strategies: Preparing parts for score printout
- Staff settings
- The Main tab
- The Options tab
- The Polyphonic tab
- The Tablature tab
- Situations which require additional techniques
- Inserting display quantize changes
- Strategies: Adding display quantize changes
- The Explode function
- Using “Scores Notes To MIDI”
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and display quantize
- Creating crossed voicings
- Automatic polyphonic voicing - Merge All Staves
- Converting voices to tracks - Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Printing and exporting pages
- Frequently asked questions
- Tips and Tricks
- Index
544
Additional note and rest formatting
Accidentals and enharmonic shift
Making global settings
On the Score Settings–Project page (Accidentals sub-
page), you will find a number of options for how acciden-
tals are displayed in the score. Once set, these are valid
for all tracks in the project. Proceed as follows:
1. Open the Score Settings–Project page and select the
Accidentals subpage from the list displayed on the left.
The Accidentals subpage on the Score Settings–Project page.
Now, you can use one of the following possibilities:
• Activate the option “Courtesy Acc Distance” and enter
a value in the bars field.
This determines after how many measures courtesy accidentals should
be shown. If you set this to “0”, notes outside the scale get accidentals
and no courtesy accidentals are shown.
• Activate one of the following options by clicking on the
graphics:
2. With the radio buttons to the right, you can decide
how five of the most common intervals outside the scale
should be displayed, as sharps or as flats.
Enharmonic shift
If one or several notes are not displayed with the acciden-
tals you wish, you can perform an Enharmonic Shift on
them.
1. Select the notes to be shifted.
2. Click the desired option on the extended toolbar.
3. If the enharmonic shift should be repeated in the whole
bar, activate the option “Enharmonic shift for entire bar” in
the Score Settings–Project page, Accidentals subpage.
Option Description
Force Notes outside the scale get accidentals and accidentals
are repeated even within the same measure.
Force all Every single note in the score gets an accidental.
!
When you activate the option “Accidentals for Each
Note” in the Notation Style subpage of the Score
Settings–Project page (in the “H.W. Henze Style”
category), all notes will be displayed with accidentals
(even tied notes).
Option Description
Use these buttons when you want regular Enharmonic
Shifting (select one option).
Use this button when you want to deactivate Enharmonic
Shifting for the note(s).
Use this button when you want to hide the accidental
completely.
Use this button when you want to create a “help acciden-
tal” for the selected note(s) only. For more info see the
global Help option (on the Score Settings–Projects–
Accidentals subpage) described above.
Use this button when you want to enclose the accidental
in parentheses. To remove these, select “off”.