User manual

534
Polyphonic voicing
7. If you have activated “Rests–Show” for a voice, but
don’t want rests to be shown in empty bars, click in the
“Rests–Reduce” column for that voice.
This is especially useful for cue voices, see “Cue notes” on page 553.
8. Click in the “Rests–Center” column to determine at
which vertical positions rests should be shown (for voices
with “Rests–Show” activated).
When this option is activated for a voice, the rest will be put in the verti-
cal center of the staff, when it is not, the rest will get a vertical position
based on the pitch of the notes.
9. Decide on a stem direction for each voice, by select-
ing from the pop-up in the Stems column.
If you select Auto, the program will make decisions about which stems go
in which direction (just as when not using polyphonic voices). You can al-
ways force stem direction for individual notes by using the Flip Stem
function, see “Flipping the stem of one or several notes” on page 542.
10. If you want the notes in a voice to be smaller than reg-
ular notes, put a tick mark in the Cue column for the voice.
11. Click Apply.
The staff is changed to polyphonic voicing, and the program distributes
the existing notes into voices according to their MIDI channel values.
• At this point you may want to use the Explode function
to automatically move notes into the proper voices. See
“Automatically – the Explode function” on page 536.
If the “Some Notes Do Not Belong To
Voices…” dialog appears
When you click Apply, a warning may appear saying “Some
notes do not belong to any voice and may be hidden. Cor-
rect these notes?”.
This warning appears when the staff contains notes with
MIDI channel settings which do not match any of the ac-
tive voices.
If you click the “Correct” button, these notes will be moved
to active voices. If you click “Ignore”, nothing will be
changed, and some notes will be hidden. However, they are
not lost, they appear in all other editors and can be made to
appear again in the Score Editor if you change the channel
settings for the notes or voices, activate more voices, etc.
About the polyphonic presets
The Presets pop-up menu on the Polyphonic tab (below
the list of voices) contains three very useful setups. In-
stead of making settings by hand, you can select one of
the presets, saving some time. The presets are:
Variable Split
This sets up the dialog for two voices, one on each staff,
each with auto stem direction. This is a good starting point
for a piano staff when the fixed split option doesn’t suffice.
Optimize two voices
In this preset, only voices 1 and 2 are activated, and set
up like this:
This way the first voice behaves as in single staff mode,
but if there are notes in the second voice, the stems of the
first one are set to Up.
Optimize four voices
This is like “Optimize Two Voices”, but with two staves.
Voices 5 and 6 are activated as well, with the same set-
tings as voices 1 and 2. This is the recommended way to
write piano music.
!
There is a special stem feature for voice 1: If you set
this to Auto, the stem direction will depend on the
pitch of the note as usual – except if there are voice
2 notes in the bar, because then the voice 1 stems
will automatically be set to Up!