User manual
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- VST Connections: Setting up input and output busses
- The Project window
- Playback and the Transport panel
- Recording
- Fades, crossfades and envelopes
- The Arranger track
- Folder tracks
- Using markers
- The Transpose functions
- The mixer
- Control Room (Cubase only)
- Audio effects
- VST Instruments and Instrument tracks
- Introduction
- VST Instrument channels vs. instrument tracks
- VST Instrument channels
- Instrument tracks
- Comparison
- Automation considerations
- What do I need? Instrument channel or Instrument track?
- Instrument Freeze
- VST instruments and processor load
- Using presets for VSTi configuration
- About latency
- External instruments (Cubase only)
- Surround sound (Cubase only)
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- VST Sound
- The MediaBay
- Track Presets
- Track Quick Controls
- Automation
- MIDI realtime parameters and effects
- MIDI processing and quantizing
- The MIDI editors
- The Logical Editor, Transformer and Input Transformer
- The Project Logical Editor
- Working with System Exclusive messages
- Working with the Tempo track
- The Project Browser
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Page Mode
- Changing the Zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting key, clef and time signature
- Transposing instruments
- Working order
- Force update
- Transcribing MIDI recordings
- About this chapter
- About transcription
- Getting the parts ready
- Strategies: Preparing parts for score printout
- Staff settings
- The Main tab
- The Options tab
- The Polyphonic tab
- The Tablature tab
- Situations which require additional techniques
- Inserting display quantize changes
- Strategies: Adding display quantize changes
- The Explode function
- Using “Scores Notes To MIDI”
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and display quantize
- Creating crossed voicings
- Automatic polyphonic voicing - Merge All Staves
- Converting voices to tracks - Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Printing and exporting pages
- Frequently asked questions
- Tips and Tricks
- Index
533
Polyphonic voicing
Setting up the voices
This text describes the Polyphonic tab of the Score Set-
tings–Staff page in general. Below you will find more de-
tailed information on how to select from the multitude of
options.
1. Open the Score Settings–Staff page for the staff.
2. Select the Polyphonic tab.
3. Pull down the Staff Mode pop-up and select Poly-
phonic.
This makes the voice list in the lower part of the dialog available. It con-
sists of eight rows, one for each voice. They are numbered and therefore
we refer to them as voices 1 to 8.
4. To activate a voice, click in its “On” column, so that a
tick mark appears.
There are four voices on each staff, for a total of eight. If you activate at
least one “upper” voice and one “lower” voice, you will get a split (piano)
staff.
5. If you have particular reasons to use specific MIDI
channels, change the “Chan” settings for the voices.
The program automatically sets each voice to a different MIDI channel. If
you don’t have good reasons to make changes, leave the settings as they
are.
6. Click in the “Rests–Show” column to decide for which
voices you want rests displayed.
A tick mark indicates that rests will be shown for a voice. Often you will
only want rests to be shown for one voice per staff, see below.
!
When you make a note part of a voice, you are in fact
changing its MIDI channel value.
However, when you change the voice’s MIDI channel
values in the setup dialog, this does not affect the
notes’ MIDI channel setting. This can lead to serious
confusion, since the relationship between the notes
and the voices is affected. It might even make notes
disappear (the program will warn if this happens). In
other words, don’t change the MIDI channels on the
Polyphonic tab on the Score Settings–Staff page af-
ter you have put your notes into voices, unless you
are absolutely sure of what you are doing. Also
please note that when you open a part that contains
notes on different MIDI channels, these notes are in
fact already assigned to voices (since notes are as-
signed to voices using their MIDI channel setting).
While this fact can be put to good use, it can also
create confusion, and even disappearing notes, as
described above.
!
You can also convert existing tracks into polyphonic
voices automatically, using the Merge All Staves
function.
!
Do not confuse the voice numbers with the MIDI
channel setting for each voice.
!
Please note the warnings about changing the MIDI
channel settings in the section “Voices and MIDI
channels” on page 532. Also note that if two voices
are set to the same MIDI channel, the lower will be
treated as if it were turned off.