User manual
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- VST Connections: Setting up input and output busses
- The Project window
- Playback and the Transport panel
- Recording
- Fades, crossfades and envelopes
- The Arranger track
- Folder tracks
- Using markers
- The Transpose functions
- The mixer
- Control Room (Cubase only)
- Audio effects
- VST Instruments and Instrument tracks
- Introduction
- VST Instrument channels vs. instrument tracks
- VST Instrument channels
- Instrument tracks
- Comparison
- Automation considerations
- What do I need? Instrument channel or Instrument track?
- Instrument Freeze
- VST instruments and processor load
- Using presets for VSTi configuration
- About latency
- External instruments (Cubase only)
- Surround sound (Cubase only)
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- VST Sound
- The MediaBay
- Track Presets
- Track Quick Controls
- Automation
- MIDI realtime parameters and effects
- MIDI processing and quantizing
- The MIDI editors
- The Logical Editor, Transformer and Input Transformer
- The Project Logical Editor
- Working with System Exclusive messages
- Working with the Tempo track
- The Project Browser
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Page Mode
- Changing the Zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting key, clef and time signature
- Transposing instruments
- Working order
- Force update
- Transcribing MIDI recordings
- About this chapter
- About transcription
- Getting the parts ready
- Strategies: Preparing parts for score printout
- Staff settings
- The Main tab
- The Options tab
- The Polyphonic tab
- The Tablature tab
- Situations which require additional techniques
- Inserting display quantize changes
- Strategies: Adding display quantize changes
- The Explode function
- Using “Scores Notes To MIDI”
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and display quantize
- Creating crossed voicings
- Automatic polyphonic voicing - Merge All Staves
- Converting voices to tracks - Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Printing and exporting pages
- Frequently asked questions
- Tips and Tricks
- Index
517
Entering and editing notes
• Generally the program adds ties where necessary (if a note
stretches over a beat), but not always. For more “modern” no-
tation of syncopated notes (less ties), you will need to use the
syncopation feature, see “Syncopation” on page 505.
The same note, without and with Syncopation.
• If you want a long note to be displayed as two (or more) tied
notes, you can use the Cut Notes tool for this.
• If a note has the wrong accidental, this can be changed. See
“Accidentals and enharmonic shift” on page 544.
• If two notes on the same position are too close to each other
or if you want their “graphical order” in the score reversed, you
can do this without affecting playback. See “Graphic moving
of notes” on page 552.
• Stem direction and length is normally automatic, but you can
set it yourself. See “Background: Note stems” on page 542.
• If you are scoring for piano and therefore (or for other reasons)
need a split staff, there are special techniques for this, see
“Split (piano) staves” on page 523 and “Polyphonic voicing”
on page 531.
If you run into trouble
Below you can find some questions and answers that will
help you pinpoint some common mistakes:
• The note I put in has the wrong length. For example, I
added a sixteenth and got a quarter note.
You probably have the wrong display quantize value set. Open the Score
Settings–Staff page. If Auto Quantize is activated, deactivate it, unless
you have mixed triplets and regular notes. Also check the Notes and
Rests display quantize values. If the settings are too “coarse”, change
them to a smaller note value. If you for example need the program to dis-
play an eighth note rest, Rests display quantize must be set to “8” or a
smaller value (please refer to the chapter “How the Score Editor works”
on page 485). If No Overlap is activated, you might want to turn it off.
• There is a pause after a note that I don’t want.
You probably added a note with the wrong note value. Either lengthen
the note (physically or graphically – see “Changing the length of notes”
on page 521) or delete the one you have (see “Deleting notes” on page
525) and add a new one with the correct note value.
• There is no pause after the note although there should
be one.
Either the note is too long (delete and enter a new one or change the cur-
rent note length, physically or graphically). Or Rests display quantize is set
to too large a note value. Open the Score Settings–Staff page and lower it.
• The note has an accidental when it shouldn’t, or it
doesn’t when it should.
Maybe the note is simply of the wrong pitch? Click on it (using the Ob-
ject Selection tool) and look at the info line (if this is not shown, see “The
info line” on page 494). Move it to the correct pitch (see “Editing pitches
of individual notes” on page 520). If this is not the reason, maybe you
have the wrong key set? And finally, you can also use enharmonic shift-
ing (see “Accidentals and enharmonic shift” on page 544).
• Notes are not grouped under beams the way I want it.
Normally the program groups eighth notes, sixteenths etc. under beams.
This can be deactivated. There is also detailed control of which notes are
grouped under a beam, see “Handling beaming” on page 547.
Selecting notes
In the operations described in the rest of this chapter, you
will often work on selected notes. The text below de-
scribes how to select notes in various ways:
By clicking
To select a note, click on its note head with the Object
Selection tool. The note head turns red to indicate that it is
selected.
• To select more notes, hold down [Shift] and click on
them.
• To deselect notes, hold down [Shift] and click on them
again.
• If you hold down [Shift] and double-click on a note, this
note and all the following notes in the same staff are se-
lected.
Selected notes