User manual
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- VST Connections: Setting up input and output busses
- The Project window
- Playback and the Transport panel
- Recording
- Fades, crossfades and envelopes
- The Arranger track
- Folder tracks
- Using markers
- The Transpose functions
- The mixer
- Control Room (Cubase only)
- Audio effects
- VST Instruments and Instrument tracks
- Introduction
- VST Instrument channels vs. instrument tracks
- VST Instrument channels
- Instrument tracks
- Comparison
- Automation considerations
- What do I need? Instrument channel or Instrument track?
- Instrument Freeze
- VST instruments and processor load
- Using presets for VSTi configuration
- About latency
- External instruments (Cubase only)
- Surround sound (Cubase only)
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- VST Sound
- The MediaBay
- Track Presets
- Track Quick Controls
- Automation
- MIDI realtime parameters and effects
- MIDI processing and quantizing
- The MIDI editors
- The Logical Editor, Transformer and Input Transformer
- The Project Logical Editor
- Working with System Exclusive messages
- Working with the Tempo track
- The Project Browser
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Page Mode
- Changing the Zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting key, clef and time signature
- Transposing instruments
- Working order
- Force update
- Transcribing MIDI recordings
- About this chapter
- About transcription
- Getting the parts ready
- Strategies: Preparing parts for score printout
- Staff settings
- The Main tab
- The Options tab
- The Polyphonic tab
- The Tablature tab
- Situations which require additional techniques
- Inserting display quantize changes
- Strategies: Adding display quantize changes
- The Explode function
- Using “Scores Notes To MIDI”
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and display quantize
- Creating crossed voicings
- Automatic polyphonic voicing - Merge All Staves
- Converting voices to tracks - Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Printing and exporting pages
- Frequently asked questions
- Tips and Tricks
- Index
516
Entering and editing notes
Entering notes with the mouse
To add a note to the score, proceed as follows:
1. Make the staff active.
Notes are always inserted on the active staff. See “The active staff” on
page 493 for details.
2. Select the desired note value.
See “Selecting a note value for input” on page 514.
3. If you select the note value by clicking on a symbol on
the extended toolbar, the Insert Note tool is automatically
selected – otherwise select the Insert Note tool from the
toolbar or Quick menu.
4. Select a quantize value.
The quantize value determines the spacing between notes. If you set
quantize to “1/1 Note” you will only be able to add notes at downbeats. If
you set quantize to “1/8 Note” you will be able to add notes at eighth
note positions, etc.
5. Click in the staff and keep the mouse button pressed.
The Insert Note tool changes into a note symbol (showing the note ex-
actly as it would be inserted in the score).
6. Move the mouse horizontally to find the correct position.
Check the mouse position box – the position snaps to the grid defined
by the current quantize value. This allows you to easily find the correct
position.
7. Move the mouse vertically to find the correct pitch.
Ö If the option “Show Note Info by the Mouse” is acti-
vated in the Preferences dialog (Scores-Editing page), the
position and pitch of the note will also be shown in a “tool
tip” next to the pointer while you’re dragging.
If you find that screen redraws are too sluggish, you may want to deacti-
vate this option.
8. Release the mouse button.
The note appears in the score.
Adding more notes
1. If you want the next note to be of another note value,
select a new note value.
2. If you need finer positioning, or if the current value is
too fine, change the quantize value.
3. Move the mouse to the desired position, and click.
Notes input at the same position are automatically interpreted as chords,
see below.
About the interpretation
The notes may not always appear in the score as you ini-
tially expect them to. This is because there are a number
of situations that require special techniques and settings.
Below you can find a list of some of these and where to
find more information about handling them:
• Notes at the same position are considered parts of a chord.
To get independent voicing (for example notes with different
stem directions), such as for vocal material, you need to use
polyphonic voicing – see “Polyphonic voicing” on page 531.
Without and with polyphonic voicing
• If two notes beginning at the same position have different
lengths, the longer will be displayed as a number of tied notes.
To avoid this, you will either have to use the “No Overlap” fea-
ture (see “No Overlap” on page 506) or polyphonic voicing
(see “Polyphonic voicing” on page 531).
• One note will often be displayed as two notes with a tie. This
is only how the program displays the note, there is still only a
single note “stored”.
This single note in the Key Editor is displayed as two tied notes in the
Score Editor.
!
If you activate the option “Animate Note Cursor” in
the Preferences (Scores-Editing page), you do not
need to keep the mouse button pressed to see the
note as it would be inserted in the score.
Accidentals are shown beside the
note to indicate the current pitch