User manual
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- VST Connections: Setting up input and output busses
- The Project window
- Playback and the Transport panel
- Recording
- Fades, crossfades and envelopes
- The Arranger track
- Folder tracks
- Using markers
- The Transpose functions
- The mixer
- Control Room (Cubase only)
- Audio effects
- VST Instruments and Instrument tracks
- Introduction
- VST Instrument channels vs. instrument tracks
- VST Instrument channels
- Instrument tracks
- Comparison
- Automation considerations
- What do I need? Instrument channel or Instrument track?
- Instrument Freeze
- VST instruments and processor load
- Using presets for VSTi configuration
- About latency
- External instruments (Cubase only)
- Surround sound (Cubase only)
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- VST Sound
- The MediaBay
- Track Presets
- Track Quick Controls
- Automation
- MIDI realtime parameters and effects
- MIDI processing and quantizing
- The MIDI editors
- The Logical Editor, Transformer and Input Transformer
- The Project Logical Editor
- Working with System Exclusive messages
- Working with the Tempo track
- The Project Browser
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Page Mode
- Changing the Zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting key, clef and time signature
- Transposing instruments
- Working order
- Force update
- Transcribing MIDI recordings
- About this chapter
- About transcription
- Getting the parts ready
- Strategies: Preparing parts for score printout
- Staff settings
- The Main tab
- The Options tab
- The Polyphonic tab
- The Tablature tab
- Situations which require additional techniques
- Inserting display quantize changes
- Strategies: Adding display quantize changes
- The Explode function
- Using “Scores Notes To MIDI”
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and display quantize
- Creating crossed voicings
- Automatic polyphonic voicing - Merge All Staves
- Converting voices to tracks - Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Printing and exporting pages
- Frequently asked questions
- Tips and Tricks
- Index
505
Transcribing MIDI recordings
Display quantize
The display quantize settings.
This is where you give the program basic information
about how to interpret your playing. There are “fixed” dis-
play quantize values plus an “Auto” option which should
only be used when your music contains mixed straight
notes and triplets. For background information about dis-
play quantize, see “Display quantize” on page 487.
If your music only contains “straight” notes or triplets
1. Set the Notes display quantize value according to the
“smallest note position” you want to be shown in the score.
For example, if you have notes on odd sixteenth note positions, the Notes
display quantize value should be set to 16 (sixteenth notes). The “T” val-
ues on the pop-up are for triplets.
2. Set the Rests display quantize value according to the
smallest note value (length) you want to be displayed for a
single note, positioned on a beat.
For example, if you want a single short note on a beat (quarter note posi-
tion) to be displayed as a quarter note, set the Rests display quantize
value to 4 (quarter notes).
3. Deactivate the Auto Quantize option.
4. Set all the interpretation options.
These are described in detail below.
5. Examine the score.
6. If necessary, use the Display Quantize tool to insert
“exceptions” to the staff settings.
See “Inserting display quantize changes” on page 509.
If your music contains mixed straight notes and triplets
1. Examine the score and decide if it mainly contains trip-
lets or mainly “straight” notes.
2. Set the Notes display quantize value accordingly.
If the score is mainly triplets, select the smallest triplet note position used
in the score. If it is mainly straight notes, select the smallest “ordinary”
note position.
3. Set the Rests display quantize value.
This is done according to the same rules as above.
4. Activate the Auto Quantize option.
5. Activate the Deviation (”Dev.”) and Adapt flags if you
need them.
When Deviation is activated, triplets/straight notes will be detected even
if they are not exactly “on the beat”. However, if you know your triplets/
straight notes are perfectly recorded (quantized or entered by hand), de-
activate this option.
When Adapt is activated, the program “guesses” that when one triplet is
found, there are probably more triplets surrounding it. Activate this option
if not all of your triplets are detected.
Clef/Key
The basic key and clef settings are described in detail in
the section “Setting key, clef and time signature” on page
496. There is also a Lower Staff checkbox which is only
used in conjunction with piano (split) staves and poly-
phonic voicing. This is described in the section “In a split
system” on page 499.
Interpretation options
The Interpretation options.
Syncopation
The Syncopation parameter has three different values:
Option Description
Relax When Syncopation is “relaxed”, the program will apply
syncopation in a number of common cases.
Full Syncopation is on.
Off Syncopation is off, with no exceptions.