User manual
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- VST Connections: Setting up input and output busses
- The Project window
- Playback and the Transport panel
- Recording
- Fades, crossfades and envelopes
- The Arranger track
- Folder tracks
- Using markers
- The Transpose functions
- The mixer
- Control Room (Cubase only)
- Audio effects
- VST Instruments and Instrument tracks
- Introduction
- VST Instrument channels vs. instrument tracks
- VST Instrument channels
- Instrument tracks
- Comparison
- Automation considerations
- What do I need? Instrument channel or Instrument track?
- Instrument Freeze
- VST instruments and processor load
- Using presets for VSTi configuration
- About latency
- External instruments (Cubase only)
- Surround sound (Cubase only)
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- VST Sound
- The MediaBay
- Track Presets
- Track Quick Controls
- Automation
- MIDI realtime parameters and effects
- MIDI processing and quantizing
- The MIDI editors
- The Logical Editor, Transformer and Input Transformer
- The Project Logical Editor
- Working with System Exclusive messages
- Working with the Tempo track
- The Project Browser
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Page Mode
- Changing the Zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting key, clef and time signature
- Transposing instruments
- Working order
- Force update
- Transcribing MIDI recordings
- About this chapter
- About transcription
- Getting the parts ready
- Strategies: Preparing parts for score printout
- Staff settings
- The Main tab
- The Options tab
- The Polyphonic tab
- The Tablature tab
- Situations which require additional techniques
- Inserting display quantize changes
- Strategies: Adding display quantize changes
- The Explode function
- Using “Scores Notes To MIDI”
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and display quantize
- Creating crossed voicings
- Automatic polyphonic voicing - Merge All Staves
- Converting voices to tracks - Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Printing and exporting pages
- Frequently asked questions
- Tips and Tricks
- Index
504
Transcribing MIDI recordings
Staff settings
The first thing to do after opening the Score Editor is to
make initial staff settings. This is done on the Score Set-
tings–Staff page. There are three ways to open the Score
Settings dialog:
• Make the staff active, pull down the Scores menu and
select “Settings…”.
• Double-click on the blue rectangle to the left of the staff.
Please note that when the option “Double-click on staff flips between full
score/part” is activated in the Preferences dialog (Scores-Editing page),
double-clicking will instead switch between display of either the whole
score or the current voice. If your score shows more than one track, dou-
ble-clicking will display this track and hide all others. If your score shows
only one track, double-clicking will either show the layout, that contains
most of the tracks or, if no multi-track layout exists, all tracks.
• Make the staff active and click the “i” button on the ex-
tended toolbar.
For this to work, make sure no notes or symbols are selected – other-
wise, clicking the “i” button may open a dialog with settings for the se-
lected object instead.
Click the Staff button to open the Score Settings–Staff
page. The Staff page shows the current settings for the
staff on four tabs.
The Main tab
The Main tab of the Staff page.
Applying settings and selecting other staves
The Score Settings dialog is non-modal (see “About dia-
logs in the Score Editor” on page 496). This means you
click Apply to apply the settings you’ve made to the active
staff.
To make settings for another staff, simply make it active in
the score (by clicking anywhere in the staff or by using the
up/down arrow keys on the computer keyboard). How-
ever, please note:
Ö Remember to click Apply before making another staff
active – otherwise your settings will be lost!
Staff presets
When you know you will reuse settings made for one track
in other tracks, you will save some time by creating a staff
preset. This is described in “Working with staff presets”
on page 527.
Ö There are a number of staff presets available, set up to
suit various instruments, etc.
The presets are accessed from the Presets pop-up menu on the Score
Settings–Staff page, or from the staff context menu, opened by right-
clicking on the blue rectangle to the left of a staff. Use them as they are,
or as starting points for your own settings.
Names
Allows you to specify a “long” and a “short” name for the
staff. The long name is shown for the very first system for
the staff in the score (at the start of the project), while the
short name is shown for the remaining systems.
• Whether the names should be shown at all is set on the
Layout page of the Score Settings dialog (see “Staff na-
mes” on page 592).
There, you can also choose to use the names of the edited MIDI tracks
instead.
• If you only want the “long name” to be shown (i.e. if you
don’t want a name shown for each system in the score),
simply delete the short name.