User manual
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- VST Connections: Setting up input and output busses
- The Project window
- Playback and the Transport panel
- Recording
- Fades, crossfades and envelopes
- The Arranger track
- Folder tracks
- Using markers
- The Transpose functions
- The mixer
- Control Room (Cubase only)
- Audio effects
- VST Instruments and Instrument tracks
- Introduction
- VST Instrument channels vs. instrument tracks
- VST Instrument channels
- Instrument tracks
- Comparison
- Automation considerations
- What do I need? Instrument channel or Instrument track?
- Instrument Freeze
- VST instruments and processor load
- Using presets for VSTi configuration
- About latency
- External instruments (Cubase only)
- Surround sound (Cubase only)
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- VST Sound
- The MediaBay
- Track Presets
- Track Quick Controls
- Automation
- MIDI realtime parameters and effects
- MIDI processing and quantizing
- The MIDI editors
- The Logical Editor, Transformer and Input Transformer
- The Project Logical Editor
- Working with System Exclusive messages
- Working with the Tempo track
- The Project Browser
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Page Mode
- Changing the Zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting key, clef and time signature
- Transposing instruments
- Working order
- Force update
- Transcribing MIDI recordings
- About this chapter
- About transcription
- Getting the parts ready
- Strategies: Preparing parts for score printout
- Staff settings
- The Main tab
- The Options tab
- The Polyphonic tab
- The Tablature tab
- Situations which require additional techniques
- Inserting display quantize changes
- Strategies: Adding display quantize changes
- The Explode function
- Using “Scores Notes To MIDI”
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and display quantize
- Creating crossed voicings
- Automatic polyphonic voicing - Merge All Staves
- Converting voices to tracks - Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Printing and exporting pages
- Frequently asked questions
- Tips and Tricks
- Index
487
How the Score Editor works
Display quantize
Let’s say you used the Project window to record a figure
with some staccato eighth notes. When you open the
Score Editor, these notes are displayed like this:
This doesn’t look anything like what you intended. Let’s
start with the timing – obviously, you were off at a couple
of places (the third, fourth and last note all seem to be a
32nd note late). You can solve this by quantizing the fig-
ure, but this would make the passage sound too “stiff”, and
not fit in the musical context. To resolve this problem the
Score Editor employs something called “display quantize”.
Display quantize is a setting which is used to tell the pro-
gram two things:
• How precise the Score Editor should be when display-
ing the note positions.
• The smallest note values (lengths) you want displayed in
the score.
In the example above, the display quantize value seems to
be set to 32nd notes (or a smaller note value).
Let’s say we change the display quantize value to six-
teenth notes in the example:
With display quantize set to sixteenth notes.
OK, now the timing looks right, but the notes still don’t
look like what you intended. Maybe you can understand
that from a computer’s point of view, you did play sixteenth
notes, which is why there are a lot of pauses. But that’s
not how you meant it. You still want the track to play back
short notes, because it is a staccato part, but you want
something else “displayed”. Try setting the display quan-
tize value to eighth notes instead:
With display quantize set to eighth notes.
Now we have eighth notes, as we wanted. All we have to
do now is to add staccato articulation which can be done
with one simple mouse click using the Pencil tool (see the
chapter “Working with symbols” on page 556).
How did this work? By setting the display quantize value
to eighth notes, you give the program two instructions,
that would sound something like this in English: “Display
all notes as if they were on exact eighth note positions, re-
gardless of their actual positions” and “Don’t display any
notes smaller than eighth notes, regardless of how short
they are”. Please note that we used the word “display”,
which leads us to one of the most important messages of
this chapter:
Choose your display quantize values with care
As explained above, the display quantize value for notes
puts a restriction on the “smallest” note value that can be
displayed. Let’s see what happens if we set it to quarter
notes:
With display quantize set to quarter notes.
Oops, this doesn’t look too good. Well of course it
doesn’t! We have now instructed the program that the
“smallest” note that occurs in the piece is a quarter note.
We have explicitly told it that there are no eighth notes, no
sixteenths, etc. So when the program draws the score on
screen (and on paper) it quantizes the display of all our
eighth notes to quarter note positions, which makes it look
!
Setting a display quantize value does not alter the
MIDI notes of your recording in any way, as regular
quantizing does. It only affects how the notes are
displayed in the Score Editor (and nowhere else)!