User manual
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- VST Connections: Setting up input and output busses
- The Project window
- Playback and the Transport panel
- Recording
- Fades, crossfades and envelopes
- The Arranger track
- Folder tracks
- Using markers
- The Transpose functions
- The mixer
- Control Room (Cubase only)
- Audio effects
- VST Instruments and Instrument tracks
- Introduction
- VST Instrument channels vs. instrument tracks
- VST Instrument channels
- Instrument tracks
- Comparison
- Automation considerations
- What do I need? Instrument channel or Instrument track?
- Instrument Freeze
- VST instruments and processor load
- Using presets for VSTi configuration
- About latency
- External instruments (Cubase only)
- Surround sound (Cubase only)
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- VST Sound
- The MediaBay
- Track Presets
- Track Quick Controls
- Automation
- MIDI realtime parameters and effects
- MIDI processing and quantizing
- The MIDI editors
- The Logical Editor, Transformer and Input Transformer
- The Project Logical Editor
- Working with System Exclusive messages
- Working with the Tempo track
- The Project Browser
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Page Mode
- Changing the Zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting key, clef and time signature
- Transposing instruments
- Working order
- Force update
- Transcribing MIDI recordings
- About this chapter
- About transcription
- Getting the parts ready
- Strategies: Preparing parts for score printout
- Staff settings
- The Main tab
- The Options tab
- The Polyphonic tab
- The Tablature tab
- Situations which require additional techniques
- Inserting display quantize changes
- Strategies: Adding display quantize changes
- The Explode function
- Using “Scores Notes To MIDI”
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and display quantize
- Creating crossed voicings
- Automatic polyphonic voicing - Merge All Staves
- Converting voices to tracks - Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Printing and exporting pages
- Frequently asked questions
- Tips and Tricks
- Index
465
Customizing
3. In the dialog that opens, enter a name for the work-
space.
4. Click OK.
The workspace is stored and will appear on the submenu. It will now be
the active workspace.
5. Set up the windows you want to include in the new
workspace.
This may include opening, moving and sizing windows, and adjusting
zoom and track height.
Activating a workspace
1. Pull down the Window menu and open the Work-
spaces submenu.
2. Select the workspace from the list on the submenu.
The windows are closed, opened, moved and/or resized according to the
stored workspace.
• You can also activate any of nine workspaces using key
commands.
This is set up under the Workspaces category in the Key Commands
dialog.
Organizing workspaces and presets
If you select “Organize…” from the Workspaces sub-
menu, the Organize Workspaces dialog opens:
The list to the left shows the workspaces in the active
project, while the list to the right shows the workspace pre-
sets. While workspaces are stored with each project, work-
space presets can be stored globally, allowing you to set
up a number of workspaces for use in any project. Work-
space presets store the position and size of the main win-
dows only – project-specific windows are not included.
• In the Workspaces list to the left, you can rename work-
spaces (by double-clicking and typing) and lock or unlock
them.
• The arrow buttons between the two lists allow you to
copy the selected workspace to a workspace preset, or
vice versa.
• The buttons below each list let you add, remove or acti-
vate workspaces or presets.
You can also activate a workspace or a preset by double-clicking in its
number column.
• Normally, when you use key commands to activate
workspaces, they relate to the order in the workspace list,
e.g. the key command for “Workspace 1” selects the first
workspace on the list and so on. However, if you activate
the Use IDs checkbox, you can enter a number (1-9) in the
ID column for each workspace.
This number will be used as reference when you are using key com-
mands, so that the key command for “Workspace 1” recalls the work-
space with ID 1.
• Workspace presets are saved with the project. By de-
fault the global presets are shown in the list to the right –
to see the presets of other projects, activate the Show
Project Presets checkbox.
• Activate the Auto Instantiate Presets checkbox to con-
vert all global workspace presets automatically into work-
spaces when you create a new project or open a project.
• To close the dialog, click the OK button or use [Esc].
Note that you can continue working in other windows with the Organize
Workspaces dialog open.