User manual
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- VST Connections: Setting up input and output busses
- The Project window
- Playback and the Transport panel
- Recording
- Fades, crossfades and envelopes
- The Arranger track
- Folder tracks
- Using markers
- The Transpose functions
- The mixer
- Control Room (Cubase only)
- Audio effects
- VST Instruments and Instrument tracks
- Introduction
- VST Instrument channels vs. instrument tracks
- VST Instrument channels
- Instrument tracks
- Comparison
- Automation considerations
- What do I need? Instrument channel or Instrument track?
- Instrument Freeze
- VST instruments and processor load
- Using presets for VSTi configuration
- About latency
- External instruments (Cubase only)
- Surround sound (Cubase only)
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- VST Sound
- The MediaBay
- Track Presets
- Track Quick Controls
- Automation
- MIDI realtime parameters and effects
- MIDI processing and quantizing
- The MIDI editors
- The Logical Editor, Transformer and Input Transformer
- The Project Logical Editor
- Working with System Exclusive messages
- Working with the Tempo track
- The Project Browser
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Page Mode
- Changing the Zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting key, clef and time signature
- Transposing instruments
- Working order
- Force update
- Transcribing MIDI recordings
- About this chapter
- About transcription
- Getting the parts ready
- Strategies: Preparing parts for score printout
- Staff settings
- The Main tab
- The Options tab
- The Polyphonic tab
- The Tablature tab
- Situations which require additional techniques
- Inserting display quantize changes
- Strategies: Adding display quantize changes
- The Explode function
- Using “Scores Notes To MIDI”
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and display quantize
- Creating crossed voicings
- Automatic polyphonic voicing - Merge All Staves
- Converting voices to tracks - Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Printing and exporting pages
- Frequently asked questions
- Tips and Tricks
- Index
459
File handling
When you have specified a location and a name for the file,
click “Save”. The Export Options dialog opens, allowing you
to specify a number of options for the file – what should be
included in the file, its type and its resolution (see below for
descriptions of the options).
The Export Options dialog.
You will also find these settings in the Preferences (MIDI–
MIDI File page). If you set these up once and for all in the
Preferences, you only need to click OK in the Export Op-
tions dialog to proceed.
The dialog contains the following options:
Ö The MIDI file will include the Tempo track.
Ö Inspector settings other than those specified in the Ex-
port options are not included in the MIDI file!
To include these, you need to convert the settings to “real” MIDI events
and properties by using the Merge MIDI in Loop function for each track,
see “Merge MIDI in Loop” on page 331.
Importing MIDI files
To import a MIDI file from disk, proceed as follows:
1. Select “MIDI File…” from the Import submenu on the
File menu.
2. If there is already an open project, a dialog opens in
which you can select whether a new project should be
created for the file or not.
If you select “No”, the MIDI file will be imported into the current project.
3. Locate and select the MIDI file in the file dialog that
opens and click Open.
• If you choose to create a new project, select the project
folder.
Select an existing project folder or create a new by clicking on Create
and entering a name in the dialog.
Option Description
Export Inspector
Patch
If this is activated, the MIDI patch settings in the Inspec-
tor – Bank Select and Program Select (used for selecting
sounds in the connected MIDI instrument) are included
as MIDI Bank Select and Program Change events in the
MIDI file.
Export Inspector
Volume/Pan
If this is activated, Volume and Pan settings made in the
Inspector are included as MIDI Volume and Pan events in
the MIDI file.
Export
Automation
If this is activated, recorded automation (see the chapter
“Automation” on page 203) is converted to MIDI control-
ler events and included in the MIDI file. This also includes
automation recorded with the MIDIControl plug-in. This is
described in the chapter “MIDI Effects” of the separate
manual “Plug-in Reference”.
Export Inserts If this is activated and you are using any MIDI plug-ins as
insert effects, the modifications to the original MIDI notes
that occur as a result of the effect(s) will be included in
the MIDI file. A MIDI delay, for example, will produce a
number of repeats to a MIDI note
by actually adding addi-
tional, “echoing” notes at rhythmic intervals – these notes
will be included in the MIDI file if the option is activated.
Export Sends If this is activated and you are using any MIDI plug-ins as
send effects, the modifications to the original MIDI notes
that occur as a result of the effect(s) will be included in
the MIDI file.
Export Marker If this is activated, any markers you have added (see “Us-
ing markers” on page 106) will be included in the MIDI
file as Standard MIDI File Marker events.
Export as
Type 0
If this is activated, the MIDI file will be of Type 0 (all data
on a single track, but on different MIDI channels). If you
don’t activate this option, the MIDI file will be of Type 1
(data on separate tracks). Which type to choose de-
pends on what you want to do with the
MIDI file (in which
application or sequencer it should be used, etc.).
Export
Resolution
You can specify a MIDI resolution between 24 – 960 for
the MIDI file. The resolution is the number of pulses, or
ticks, per quarter note (PPQ) and determines the preci-
sion with which you will be able to view and edit the MIDI
data. The higher the resolution, the higher the precision.
The resolution should be chosen depending on the appli-
cation or sequencer with which the MIDI file should be
used though, since certain applications and sequencers
may not be able to handle certain resolutions.
Export Locator
Range
If this is activated, only the range between the locators
will be exported.
Export
includes Delay
If this is activated, the delay of the MIDI track will be in-
cluded in the MIDI file. For more information about the
Delay option, see “Basic track settings” on page 317.
Option Description