User manual
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- VST Connections: Setting up input and output busses
- The Project window
- Playback and the Transport panel
- Recording
- Fades, crossfades and envelopes
- The Arranger track
- Folder tracks
- Using markers
- The Transpose functions
- The mixer
- Control Room (Cubase only)
- Audio effects
- VST Instruments and Instrument tracks
- Introduction
- VST Instrument channels vs. instrument tracks
- VST Instrument channels
- Instrument tracks
- Comparison
- Automation considerations
- What do I need? Instrument channel or Instrument track?
- Instrument Freeze
- VST instruments and processor load
- Using presets for VSTi configuration
- About latency
- External instruments (Cubase only)
- Surround sound (Cubase only)
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- VST Sound
- The MediaBay
- Track Presets
- Track Quick Controls
- Automation
- MIDI realtime parameters and effects
- MIDI processing and quantizing
- The MIDI editors
- The Logical Editor, Transformer and Input Transformer
- The Project Logical Editor
- Working with System Exclusive messages
- Working with the Tempo track
- The Project Browser
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Page Mode
- Changing the Zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting key, clef and time signature
- Transposing instruments
- Working order
- Force update
- Transcribing MIDI recordings
- About this chapter
- About transcription
- Getting the parts ready
- Strategies: Preparing parts for score printout
- Staff settings
- The Main tab
- The Options tab
- The Polyphonic tab
- The Tablature tab
- Situations which require additional techniques
- Inserting display quantize changes
- Strategies: Adding display quantize changes
- The Explode function
- Using “Scores Notes To MIDI”
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and display quantize
- Creating crossed voicings
- Automatic polyphonic voicing - Merge All Staves
- Converting voices to tracks - Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Printing and exporting pages
- Frequently asked questions
- Tips and Tricks
- Index
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Working with the Tempo track
Matching a musical score to video
Here’s an example of how to use the Time Warp tool in
“musical events follow” mode. Let’s say you are creating
the music for a film. You have a video track, an audio track
with a commentary and some audio and/or MIDI tracks
with your music. Now you want to match the position of a
musical cue to a position in a video film. The musical cue
is located in bar 33. There are no tempo changes in the
project (yet).
1. Make sure tempo track mode is selected in the Trans-
port panel.
2. Now you need to locate the position in the video. If you
don’t need very high precision, you can simply locate it
looking at the thumbnails on the video track – otherwise
you can pinpoint the exact position and add a marker to
the Marker track (that you can snap to later on).
You can also make a note of the exact position and add an extra ruler
track set to show the time code (Cubase only).
3. Make sure the correct tracks are set to linear time
base or musical time base, respectively.
In our example, we want the video track and the audio track with a com-
mentary voice-over to be linear time-based (as well as the marker track, if
you are using one). All other tracks should be set to musical time base.
You change this by clicking the time base button in the Track list or In-
spector.
4. Set up the Grid Type pop-up menu as desired.
When you click with the Time Warp tool, it snaps to the selected grid. In
this case, you will find the musical cue at the start of bar 33, so we can
set the grid to “Bar”.
• Note that this affects the snapping to the ruler (tempo
grid) when you click! In addition, the tool can be “mag-
netic” to events in the Project window when you drag – for
this, you need to activate Snap and select “Events” on the
Snap pop-up menu.
In our example, this would be useful if you created a marker at the de-
sired position in the video – when you drag the grid (see below), it will
snap to the marker.
5. Select the Time Warp tool and select the “musical
events follow” mode.
6. Click in the event display at the start of bar 33 and
drag to the desired position in the video.
As mentioned above, this can mean dragging to a position indicated by
the thumbnails on the video track, to a marker on the Marker track or to a
time position on an additional ruler track (Cubase only).
When you drag, the ruler is scaled – and the music tracks
will follow.
7. Release the mouse button.
If you look in the ruler at the beginning of the project, you will see that the
first (and only) tempo event has been adjusted.
8. Try playing back.
The musical cue should now happen at the correct position in the video.
OK, let’s say you need to match another cue to another
position later on in the video. If you simply repeat this pro-
cedure, you will find that the first cue gets out of sync –
since you are still changing the first (and only) tempo
event on the Tempo track!
Musical time base selected.
Linear time base selected.