User manual
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- VST Connections: Setting up input and output busses
- The Project window
- Playback and the Transport panel
- Recording
- Fades, crossfades and envelopes
- The Arranger track
- Folder tracks
- Using markers
- The Transpose functions
- The mixer
- Control Room (Cubase only)
- Audio effects
- VST Instruments and Instrument tracks
- Introduction
- VST Instrument channels vs. instrument tracks
- VST Instrument channels
- Instrument tracks
- Comparison
- Automation considerations
- What do I need? Instrument channel or Instrument track?
- Instrument Freeze
- VST instruments and processor load
- Using presets for VSTi configuration
- About latency
- External instruments (Cubase only)
- Surround sound (Cubase only)
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- VST Sound
- The MediaBay
- Track Presets
- Track Quick Controls
- Automation
- MIDI realtime parameters and effects
- MIDI processing and quantizing
- The MIDI editors
- The Logical Editor, Transformer and Input Transformer
- The Project Logical Editor
- Working with System Exclusive messages
- Working with the Tempo track
- The Project Browser
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Page Mode
- Changing the Zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting key, clef and time signature
- Transposing instruments
- Working order
- Force update
- Transcribing MIDI recordings
- About this chapter
- About transcription
- Getting the parts ready
- Strategies: Preparing parts for score printout
- Staff settings
- The Main tab
- The Options tab
- The Polyphonic tab
- The Tablature tab
- Situations which require additional techniques
- Inserting display quantize changes
- Strategies: Adding display quantize changes
- The Explode function
- Using “Scores Notes To MIDI”
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and display quantize
- Creating crossed voicings
- Automatic polyphonic voicing - Merge All Staves
- Converting voices to tracks - Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Printing and exporting pages
- Frequently asked questions
- Tips and Tricks
- Index
391
Working with System Exclusive messages
Introduction
SysEx (System Exclusive) messages are model-specific
messages for setting various parameters of a MIDI device.
This makes it possible to address device parameters that
would not be available via normal MIDI syntax.
Every major MIDI manufacturer has its own SysEx identity
code. SysEx messages are typically used for transmitting
patch data, i.e. the numbers that make up the settings of
one or more sounds in a MIDI instrument.
Cubase allows you to record and manipulate SysEx data
in various ways. This chapter points to various features
that help you manage and create SysEx data.
(To learn about the possibilities of the MIDI Device Man-
ager for controlling your device, please refer to the sepa-
rate PDF document “MIDI Devices”.)
Bulk dumps
Recording a bulk dump in Cubase
In any programmable device, the settings are stored as
numbers in computer memory. Change those numbers,
and you will change the settings.
Normally, MIDI devices allow you to dump (transmit) all or
some settings in the device's memory in the form of MIDI
SysEx messages. A dump is therefore (among other
things) a way of making backup copies of the settings of
your instrument: sending such a dump back to the MIDI
device will restore the settings.
If your instrument allows the dumping of a few or all of its
settings via MIDI by activating some function on the front
panel, this dump will probably be recordable in Cubase.
1. Open the Preferences dialog from the File menu (on
the Mac, this is located on the Cubase menu) and select
the MIDI–MIDI Filter page.
This allows you to govern which MIDI event types should be recorded
and/or thru-put.
2. Make sure that recording of Sysex data is not filtered,
by unchecking the Sysex checkbox in the Record section.
The Sysex checkbox in the Thru section can be left as it is
(by default activated).
This way, SysEx messages will be recorded but not echoed back out to
the instrument (which may lead to unpredictable results).
3. Activate recording on a MIDI track and initiate the
dump from the front panel of the instrument.
4. When done recording, select the new part and open
the List Editor from the MIDI menu.
This allows you to check that the SysEx dump was recorded – there
should be one or several SysEx events in the part/event list.
!
If your MIDI instrument doesn’t offer a way to initiate a
dump “by itself”, you have to send a Dump Request
message from Cubase to start the dump. In that case,
use the MIDI SysEx Editor (see “Editing System Exclu-
sive messages” on page 393) to insert the specific
Dump Request message (see the instrument’s docu-
mentation) at the beginning of a MIDI track. When you
activate recording, the Dump Request message will
be played back (sent to the instrument), the dump will
start and be recorded as above.