User manual
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- VST Connections: Setting up input and output busses
- The Project window
- Playback and the Transport panel
- Recording
- Fades, crossfades and envelopes
- The Arranger track
- Folder tracks
- Using markers
- The Transpose functions
- The mixer
- Control Room (Cubase only)
- Audio effects
- VST Instruments and Instrument tracks
- Introduction
- VST Instrument channels vs. instrument tracks
- VST Instrument channels
- Instrument tracks
- Comparison
- Automation considerations
- What do I need? Instrument channel or Instrument track?
- Instrument Freeze
- VST instruments and processor load
- Using presets for VSTi configuration
- About latency
- External instruments (Cubase only)
- Surround sound (Cubase only)
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- VST Sound
- The MediaBay
- Track Presets
- Track Quick Controls
- Automation
- MIDI realtime parameters and effects
- MIDI processing and quantizing
- The MIDI editors
- The Logical Editor, Transformer and Input Transformer
- The Project Logical Editor
- Working with System Exclusive messages
- Working with the Tempo track
- The Project Browser
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Page Mode
- Changing the Zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting key, clef and time signature
- Transposing instruments
- Working order
- Force update
- Transcribing MIDI recordings
- About this chapter
- About transcription
- Getting the parts ready
- Strategies: Preparing parts for score printout
- Staff settings
- The Main tab
- The Options tab
- The Polyphonic tab
- The Tablature tab
- Situations which require additional techniques
- Inserting display quantize changes
- Strategies: Adding display quantize changes
- The Explode function
- Using “Scores Notes To MIDI”
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and display quantize
- Creating crossed voicings
- Automatic polyphonic voicing - Merge All Staves
- Converting voices to tracks - Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Printing and exporting pages
- Frequently asked questions
- Tips and Tricks
- Index
374
The Logical Editor, Transformer and Input Transformer
Ö Expressions within brackets are evaluated first.
If there are several layers of brackets, these are evaluated “from the in-
side out”, starting with the innermost brackets.
You add brackets by clicking in the bracket columns and
selecting an option. Up to triple brackets can be selected.
Editing filter conditions as text
The area directly below the filter condition list shows you
the current filter conditions as text. It also allows you to
enter and edit the filter conditions in textual form. For tips
on the syntax, please study the included presets.
Ö There is no additional functionality involved when edit-
ing filter conditions as text; it is simply another way to
make settings.
When you enter something in the text field you will see the correspond-
ing settings appear in the filter condition list (provided that you have used
the correct syntax).
Selecting a function
The pop-up menu in the top left corner of the Logical Edi-
tor is where you select the function – the basic type of ed-
iting to be performed. When you select an option from the
pop-up menu, the field to the right displays a comment,
making it easier to see what the function does.
Below, the available options are listed. Note that some op-
tions are available in the Logical Editor only – not in the
Transformer effect.
Delete
Deletes all events found by the Logical Editor. In the case
of the Transformer, this function will remove (or “mute”) all
found events from the “output stream” – the actual events
on the track are not affected.
Transform
Changes one or several aspects of the found events. You
set up exactly what should be changed in the action list,
see “Specifying actions” on page 375.
Insert
This will create new events and insert these into the
part(s) (Logical Editor) or the output stream (Transformer).
The new events will be based on the events found by the
Logical Editor’s filter conditions, but with any changes you
have set up in the action list applied.
Another way of expressing this is that the Insert function
copies the found events, transforms them according to the
action list and inserts the transformed copies among the
existing events.
Insert Exclusive
This will transform the found events according to the ac-
tion list. Then, all events that were not found (that didn’t
meet the filter conditions) are deleted (Logical Editor) or
removed from the output stream (Transformer).
Copy (not available in the Transformer)
This will copy all found events, transform them according
to the action list and paste them into a new part on a new
MIDI track. The original events are not affected.
Extract (not available in the Transformer)
This works like Copy, but will cut the found events instead.
Or in other words, Extract will transform all found events
and move them to a new part on a new MIDI track.
Select (not available in the Transformer)
This will simply select all found events, highlighting them
for further work in the regular MIDI editors.
!
In the Logical Editor, processing isn’t performed until
you click the Do It button. When using the Trans-
former MIDI effect, there is no Do It button – the cur-
rent settings are automatically applied in real time
during playback or live playing.