User manual
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- VST Connections: Setting up input and output busses
- The Project window
- Playback and the Transport panel
- Recording
- Fades, crossfades and envelopes
- The Arranger track
- Folder tracks
- Using markers
- The Transpose functions
- The mixer
- Control Room (Cubase only)
- Audio effects
- VST Instruments and Instrument tracks
- Introduction
- VST Instrument channels vs. instrument tracks
- VST Instrument channels
- Instrument tracks
- Comparison
- Automation considerations
- What do I need? Instrument channel or Instrument track?
- Instrument Freeze
- VST instruments and processor load
- Using presets for VSTi configuration
- About latency
- External instruments (Cubase only)
- Surround sound (Cubase only)
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- VST Sound
- The MediaBay
- Track Presets
- Track Quick Controls
- Automation
- MIDI realtime parameters and effects
- MIDI processing and quantizing
- The MIDI editors
- The Logical Editor, Transformer and Input Transformer
- The Project Logical Editor
- Working with System Exclusive messages
- Working with the Tempo track
- The Project Browser
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Page Mode
- Changing the Zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting key, clef and time signature
- Transposing instruments
- Working order
- Force update
- Transcribing MIDI recordings
- About this chapter
- About transcription
- Getting the parts ready
- Strategies: Preparing parts for score printout
- Staff settings
- The Main tab
- The Options tab
- The Polyphonic tab
- The Tablature tab
- Situations which require additional techniques
- Inserting display quantize changes
- Strategies: Adding display quantize changes
- The Explode function
- Using “Scores Notes To MIDI”
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and display quantize
- Creating crossed voicings
- Automatic polyphonic voicing - Merge All Staves
- Converting voices to tracks - Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Printing and exporting pages
- Frequently asked questions
- Tips and Tricks
- Index
37
The Project window
• If the option “Zoom while Locating in Time Scale” is ac-
tivated in the Preferences (Transport page), you can also
zoom by clicking in the main ruler and dragging up or
down with the mouse button pressed.
Drag up to zoom out; drag down to zoom in.
• You can zoom the contents of parts and events verti-
cally, using the waveform zoom slider in the top right cor-
ner of the event display.
This is useful when viewing quiet audio passages.
• If you activate the option Quick Zoom in the Prefer-
ences (Editing page), the contents of parts and events will
not be continuously redrawn when you zoom manually.
Instead, the contents are redrawn once you have stopped changing the
zoom – activate this if screen redraws are slow on your system.
Resizing tracks in the Track list
• You can change the height of an individual track by
clicking on its lower border in the Track list and dragging
up or down.
To change the height of all tracks simultaneously, hold down [Ctrl]/
[Command] and resize one of the tracks in this way. If “Snap Track
Heights” is activated on the Track scale pop-up (see below), the track
height will change in fixed increments when you resize it.
• You can also change the width of the Track list area, by
dragging the border between the Track list and the event
display.
• By default, the controls shown for tracks in the Track list
will adapt to the track size. This means that when resizing
a track’s height or width the controls will be placed where
they best “fit in”.
If you prefer to have the controls in fixed positions, you can deactivate the
option “Wrap Controls” in the Track Controls settings dialog (see “Cus-
tomizing track controls” on page 467).
• You can decide for each track type what controls
should be shown in the Track list – see “Customizing
track controls” on page 467.
• You can use the Track scale pop-up (opened by clicking
the arrow button above the vertical zoom control) to set the
number of tracks to view in the current Project window.
The track height will be adjusted to show only the number of tracks speci-
fied on the pop-up menu. By selecting “Zoom N Tracks” from the pop-up
you can manually set the number of tracks to fit in the current Project win-
dow.
• Tracks can also be divided vertically in lanes – see
“Editing in Lane Display mode” on page 52.
The Enlarge Selected Track option
When this option is activated on the Edit menu (or in the
Preferences, Editing–Project & Mixer page), the selected
track is enlarged automatically. This is useful if you are
stepping through the tracks in the track list, to check or
edit the settings. The tracks will revert to the size they had
before when they are deselected. You can adjust the size
directly in the Track list if the default enlargement factor
does not suit you.
While this is the program behavior you will want in most
cases, it may be a disadvantage when changing the track
height you started out with for one or more tracks (i.e. their
“original” height, before “Enlarge Selected Track” was ac-
tivated). As soon as you try to resize a track, it is selected
and automatically enlarged. Instead of turning off “Enlarge
Selected Track”, resizing the desired track(s) and the acti-
vating “Enlarge Selected Track” again, you can resize a
track in the Track list without selecting it.
!
To get an approximate reading on the level of the au-
dio events by viewing the waveforms, make sure this
slider is all the way down. Otherwise, zoomed wave-
forms may be mistaken for clipped audio.
!
This behavior is different when “Enlarge Selected
Track” is activated on the Edit menu (see below).