User manual
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- VST Connections: Setting up input and output busses
- The Project window
- Playback and the Transport panel
- Recording
- Fades, crossfades and envelopes
- The Arranger track
- Folder tracks
- Using markers
- The Transpose functions
- The mixer
- Control Room (Cubase only)
- Audio effects
- VST Instruments and Instrument tracks
- Introduction
- VST Instrument channels vs. instrument tracks
- VST Instrument channels
- Instrument tracks
- Comparison
- Automation considerations
- What do I need? Instrument channel or Instrument track?
- Instrument Freeze
- VST instruments and processor load
- Using presets for VSTi configuration
- About latency
- External instruments (Cubase only)
- Surround sound (Cubase only)
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- VST Sound
- The MediaBay
- Track Presets
- Track Quick Controls
- Automation
- MIDI realtime parameters and effects
- MIDI processing and quantizing
- The MIDI editors
- The Logical Editor, Transformer and Input Transformer
- The Project Logical Editor
- Working with System Exclusive messages
- Working with the Tempo track
- The Project Browser
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Page Mode
- Changing the Zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting key, clef and time signature
- Transposing instruments
- Working order
- Force update
- Transcribing MIDI recordings
- About this chapter
- About transcription
- Getting the parts ready
- Strategies: Preparing parts for score printout
- Staff settings
- The Main tab
- The Options tab
- The Polyphonic tab
- The Tablature tab
- Situations which require additional techniques
- Inserting display quantize changes
- Strategies: Adding display quantize changes
- The Explode function
- Using “Scores Notes To MIDI”
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and display quantize
- Creating crossed voicings
- Automatic polyphonic voicing - Merge All Staves
- Converting voices to tracks - Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Printing and exporting pages
- Frequently asked questions
- Tips and Tricks
- Index
351
The MIDI editors
Editing velocity values
When “Velocity” is selected for viewing, the lane shows
the velocity of each note as a vertical bar.
Velocity values are edited with the Pencil or the Line tool.
The different tools and Line tool modes offer several pos-
sibilities, as listed below.
Ö If the option “Controller Lane Editing: Select Tool de-
faults to Pen” is activated in the Preferences (Editing–MIDI
page), the Arrow tool automatically switches to the Pencil
tool when you move the pointer into the controller display.
If you want to use the Arrow tool to select events in the controller display,
press [Ctrl]/[Command].
Ö If the Speaker icon (Acoustic Feedback) is activated
on the toolbar, the notes will be played back when you ad-
just the velocity, allowing you to audition your changes.
• You can use the Pencil tool to change the velocity of a
single note: click on its velocity bar and drag the bar up or
down.
While you drag, the current velocity value is shown in the display to the left.
• You can use the Pencil tool or the Line tool in Paint
mode to change the velocity values of several notes by
painting a “freehand curve”.
When editing velocity, these two methods have the same functionality.
• Use the Line tool in Line mode for creating linear veloc-
ity ramps.
Click where you want the ramp to start and drag the cursor to where you
want the ramp to end. When you release the mouse button, the velocity
values are aligned with the line between the two points.
• Parabola mode works in the same way, but aligns the
velocity values to a Parabola curve instead.
Use this for smooth, “natural” velocity fades, etc.
• The remaining three Line tool modes (Sine, Triangle and
Square) align the velocity values to continuous curve
shapes (see below).
Note:
• If there is more than one note at the same position (e.g. a
chord), their velocity bars will overlap in the controller lane.
If none of the notes are selected, all notes at the same position will be set
to the same velocity value when you draw. To edit the velocity of only one
of the notes at the same position, first select the note in the note display.
Now, editing will only affect the velocity of the selected note.
You can also adjust the velocity of a single note by select-
ing it and changing its velocity value on the info line.