User manual
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- VST Connections: Setting up input and output busses
- The Project window
- Playback and the Transport panel
- Recording
- Fades, crossfades and envelopes
- The Arranger track
- Folder tracks
- Using markers
- The Transpose functions
- The mixer
- Control Room (Cubase only)
- Audio effects
- VST Instruments and Instrument tracks
- Introduction
- VST Instrument channels vs. instrument tracks
- VST Instrument channels
- Instrument tracks
- Comparison
- Automation considerations
- What do I need? Instrument channel or Instrument track?
- Instrument Freeze
- VST instruments and processor load
- Using presets for VSTi configuration
- About latency
- External instruments (Cubase only)
- Surround sound (Cubase only)
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- VST Sound
- The MediaBay
- Track Presets
- Track Quick Controls
- Automation
- MIDI realtime parameters and effects
- MIDI processing and quantizing
- The MIDI editors
- The Logical Editor, Transformer and Input Transformer
- The Project Logical Editor
- Working with System Exclusive messages
- Working with the Tempo track
- The Project Browser
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Page Mode
- Changing the Zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting key, clef and time signature
- Transposing instruments
- Working order
- Force update
- Transcribing MIDI recordings
- About this chapter
- About transcription
- Getting the parts ready
- Strategies: Preparing parts for score printout
- Staff settings
- The Main tab
- The Options tab
- The Polyphonic tab
- The Tablature tab
- Situations which require additional techniques
- Inserting display quantize changes
- Strategies: Adding display quantize changes
- The Explode function
- Using “Scores Notes To MIDI”
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and display quantize
- Creating crossed voicings
- Automatic polyphonic voicing - Merge All Staves
- Converting voices to tracks - Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Printing and exporting pages
- Frequently asked questions
- Tips and Tricks
- Index
330
MIDI processing and quantizing
Transpose
The Transpose item on the MIDI menu opens a dialog with
settings for transposing the selected notes:
Ö You can also use the Transpose track for transposing,
see “The Transpose functions” on page 111.
Semitones
This is where you set the amount of transposition.
Scale Correction
Scale Correction transposes the selected notes by for-
cing them to the closest note of the selected scale type.
This can be used for creating interesting key and tonal
changes, either by itself or in conjunction with the other
settings in the Transpose dialog.
• To activate Scale Correction, click the checkbox.
• Select a root note and scale type for the current scale
from the upper pop-up menus.
• Select a root note and scale type for the new scale from
the lower pop-up menus.
Make sure to select the correct root note if you want to keep the result in
the same key as the original notes, or select an entirely different key if you
want to experiment.
Keep Notes in Range
When this is activated, transposed notes will remain
within the Upper and Lower Limit values.
• If a note ends up outside the limits after transposition, it
will be shifted to another octave, keeping the correct
transposed pitch if possible.
If this isn’t possible (if you have set a very narrow range between the Up-
per and Lower Limit), the note will be transposed “as far as possible”, i.e.
to the Upper or Lower Limit note. If you set the Upper and Lower Limits
to the same value, all notes will be transposed to this pitch!
OK and Cancel
Clicking OK performs the transposition. Clicking Cancel
closes the dialog without transposing.
Making your settings permanent
The settings described in the chapter “MIDI realtime para-
meters and effects” on page 315 do not change the MIDI
events themselves, but work like a “filter”, affecting the
music on playback. Therefore, you may want to make them
permanent, i.e. convert them to “real” MIDI events, for ex-
ample to transpose a track and then edit the transposed
notes in a MIDI editor. For this, you can use two com-
mands from the MIDI menu:
• “Freeze MIDI Modifiers” – This applies all filter settings
permanently to the respective track.
With this function, the settings are “added” to the events on the track,
and all modifiers will be set to zero.
• “Merge MIDI in Loop” – This merges all selected tracks
(or parts) to create a new track.
The settings are applied during the merge and will still be displayed later
in the respective menus.
These two functions are described in the following sec-
tions.