User manual
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- VST Connections: Setting up input and output busses
- The Project window
- Playback and the Transport panel
- Recording
- Fades, crossfades and envelopes
- The Arranger track
- Folder tracks
- Using markers
- The Transpose functions
- The mixer
- Control Room (Cubase only)
- Audio effects
- VST Instruments and Instrument tracks
- Introduction
- VST Instrument channels vs. instrument tracks
- VST Instrument channels
- Instrument tracks
- Comparison
- Automation considerations
- What do I need? Instrument channel or Instrument track?
- Instrument Freeze
- VST instruments and processor load
- Using presets for VSTi configuration
- About latency
- External instruments (Cubase only)
- Surround sound (Cubase only)
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- VST Sound
- The MediaBay
- Track Presets
- Track Quick Controls
- Automation
- MIDI realtime parameters and effects
- MIDI processing and quantizing
- The MIDI editors
- The Logical Editor, Transformer and Input Transformer
- The Project Logical Editor
- Working with System Exclusive messages
- Working with the Tempo track
- The Project Browser
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Page Mode
- Changing the Zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting key, clef and time signature
- Transposing instruments
- Working order
- Force update
- Transcribing MIDI recordings
- About this chapter
- About transcription
- Getting the parts ready
- Strategies: Preparing parts for score printout
- Staff settings
- The Main tab
- The Options tab
- The Polyphonic tab
- The Tablature tab
- Situations which require additional techniques
- Inserting display quantize changes
- Strategies: Adding display quantize changes
- The Explode function
- Using “Scores Notes To MIDI”
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and display quantize
- Creating crossed voicings
- Automatic polyphonic voicing - Merge All Staves
- Converting voices to tracks - Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Printing and exporting pages
- Frequently asked questions
- Tips and Tricks
- Index
325
MIDI processing and quantizing
Introduction
This chapter describes the various MIDI processing func-
tions available on the MIDI menu. They offer various ways
to edit MIDI notes and other events, either in the Project
window or from within a MIDI editor.
MIDI functions vs. MIDI modifiers
In some cases, the result of a MIDI function can also be
obtained by using MIDI modifiers and effects (see “MIDI
realtime parameters and effects” on page 315). For exam-
ple, the operations “Transpose” and “Quantize” are avail-
able as MIDI modifiers as well as MIDI functions.
The main difference is that MIDI modifiers and effects don’t
affect the actual MIDI events on the track in any way, while
MIDI functions change the events “permanently” (although
recent changes can be undone).
Use the following guidelines to decide which path to
choose for operations that are available both as modifiers
or effects and as functions:
• If you want to adjust a few parts or events only, use MIDI
functions. The MIDI modifiers and effects affect the output
of the whole track (although they can be made permanent
in a specific area with the Merge MIDI in Loop function).
• If you want to experiment with different settings, use
MIDI modifiers and effects.
• MIDI modifiers and effects settings are not reflected in
the MIDI editors, since the actual MIDI events aren’t af-
fected. This can be potentially confusing; if you’ve e.g.
transposed notes using modifiers, the MIDI editors will still
show the notes with their original pitch (but they will play
back at their transposed pitch). Therefore MIDI functions
are a better solution if you want to see the effects in the
MIDI editors.
What is affected by the MIDI functions?
Which events are affected when you use a MIDI function
depends on the function, the active window and the cur-
rent selection:
• Some MIDI function only apply to MIDI events of a certain
type.
For example, quantization affects notes only, while the Delete Controllers
function obviously applies to MIDI controller events.
• In the Project window, the MIDI functions apply to all
selected parts, affecting all events (of the relevant types)
in them.
• In the MIDI editors, the MIDI functions apply to all se-
lected events. If no events are selected, all events in the
edited part(s) will be affected.
The Quantizing functions
What is quantizing?
Quantizing in its fundamental form is a function that auto-
matically moves recorded notes, positioning them on ex-
act note values:
However, quantizing is not only a method of correcting er-
rors, it can also be used creatively in various ways. For ex-
ample, the “quantize grid” does not have to consist of
perfectly straight notes, some notes can automatically be
excluded from quantizing, etc.
Ö When quantizing MIDI, only MIDI notes are affected
(no other event types).
However, you can choose to move the controllers together with their re-
spective notes by activating the “Move Controller” option in the Quantize
Setup dialog, see “The Move Controller setting” on page 328.
For example, if you record a series of eighth notes, some of them
may end up slightly beside the exact eighth note positions.
Quantizing the notes with the quantize grid set to eighth notes
will move the “misplaced” notes to exact positions.