User manual
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- VST Connections: Setting up input and output busses
- The Project window
- Playback and the Transport panel
- Recording
- Fades, crossfades and envelopes
- The Arranger track
- Folder tracks
- Using markers
- The Transpose functions
- The mixer
- Control Room (Cubase only)
- Audio effects
- VST Instruments and Instrument tracks
- Introduction
- VST Instrument channels vs. instrument tracks
- VST Instrument channels
- Instrument tracks
- Comparison
- Automation considerations
- What do I need? Instrument channel or Instrument track?
- Instrument Freeze
- VST instruments and processor load
- Using presets for VSTi configuration
- About latency
- External instruments (Cubase only)
- Surround sound (Cubase only)
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- VST Sound
- The MediaBay
- Track Presets
- Track Quick Controls
- Automation
- MIDI realtime parameters and effects
- MIDI processing and quantizing
- The MIDI editors
- The Logical Editor, Transformer and Input Transformer
- The Project Logical Editor
- Working with System Exclusive messages
- Working with the Tempo track
- The Project Browser
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Page Mode
- Changing the Zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting key, clef and time signature
- Transposing instruments
- Working order
- Force update
- Transcribing MIDI recordings
- About this chapter
- About transcription
- Getting the parts ready
- Strategies: Preparing parts for score printout
- Staff settings
- The Main tab
- The Options tab
- The Polyphonic tab
- The Tablature tab
- Situations which require additional techniques
- Inserting display quantize changes
- Strategies: Adding display quantize changes
- The Explode function
- Using “Scores Notes To MIDI”
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and display quantize
- Creating crossed voicings
- Automatic polyphonic voicing - Merge All Staves
- Converting voices to tracks - Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Printing and exporting pages
- Frequently asked questions
- Tips and Tricks
- Index
316
MIDI realtime parameters and effects
Introduction
For each MIDI track, you can set up a number of track pa-
rameters, or modifiers, and MIDI effects. These affect how
the MIDI data is played back, “transforming” MIDI events
in real time before they are sent to the MIDI outputs.
On the following pages, the available parameters and ef-
fects are described. Keep in mind:
• The actual MIDI events will not be affected – the changes
happen “on the fly”.
• Since the modifier settings don’t change the actual MIDI data
on the track, they will not be reflected in the MIDI editors. To
convert the track settings to “real” MIDI events, use the Freeze
MIDI Modifiers function or the Merge MIDI in Loop function
(see “Making your settings permanent” on page 330).
The Inspector – General handling
The MIDI modifiers and effects are set up in the Inspector
(although some settings are available in the mixer as well).
Here’s a brief rundown on how to handle the Inspector:
• To show or hide the Inspector, click the Inspector icon
on the Project window toolbar.
• For a MIDI track, up to eight sections (seven in Cubase
Studio) are available. Which of these sections are dis-
played in the Inspector is determined in the setup context
menu or the Setup dialog of the Inspector.
For information about setting up the Inspector, see “The Setup dialogs”
on page 466.
• You can fold or unfold the sections individually by click-
ing on the section name.
Clicking the name for a hidden section brings it to view and hides the
other sections. [Ctrl]/[Command]-clicking the tab allows you to hide or
show a section without affecting other sections. Finally, [Alt]/[Option]-
clicking a tab shows or hides all sections in the Inspector.
The Inspector for a MIDI track.
Ö Folding or hiding (via the Setup dialog) a section does
not affect the functionality but merely hides the section
from view.
This means your settings will still be active even if you fold or hide the In-
spector settings.