User manual
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- VST Connections: Setting up input and output busses
- The Project window
- Playback and the Transport panel
- Recording
- Fades, crossfades and envelopes
- The Arranger track
- Folder tracks
- Using markers
- The Transpose functions
- The mixer
- Control Room (Cubase only)
- Audio effects
- VST Instruments and Instrument tracks
- Introduction
- VST Instrument channels vs. instrument tracks
- VST Instrument channels
- Instrument tracks
- Comparison
- Automation considerations
- What do I need? Instrument channel or Instrument track?
- Instrument Freeze
- VST instruments and processor load
- Using presets for VSTi configuration
- About latency
- External instruments (Cubase only)
- Surround sound (Cubase only)
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- VST Sound
- The MediaBay
- Track Presets
- Track Quick Controls
- Automation
- MIDI realtime parameters and effects
- MIDI processing and quantizing
- The MIDI editors
- The Logical Editor, Transformer and Input Transformer
- The Project Logical Editor
- Working with System Exclusive messages
- Working with the Tempo track
- The Project Browser
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Page Mode
- Changing the Zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting key, clef and time signature
- Transposing instruments
- Working order
- Force update
- Transcribing MIDI recordings
- About this chapter
- About transcription
- Getting the parts ready
- Strategies: Preparing parts for score printout
- Staff settings
- The Main tab
- The Options tab
- The Polyphonic tab
- The Tablature tab
- Situations which require additional techniques
- Inserting display quantize changes
- Strategies: Adding display quantize changes
- The Explode function
- Using “Scores Notes To MIDI”
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and display quantize
- Creating crossed voicings
- Automatic polyphonic voicing - Merge All Staves
- Converting voices to tracks - Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Printing and exporting pages
- Frequently asked questions
- Tips and Tricks
- Index
213
Automation
5. When you release the mouse button, the number of
automation events is reduced to a few events, but the ba-
sic shape of the curve still remains the same.
This “thinning out” of events is governed by the Automation Reduction
Level setting in the Preferences, see “About the Automation Reduction
Level preference” on page 215.
6. If you now activate playback, the volume will change
with the automation curve.
In the mixer, the corresponding fader moves accordingly.
7. Simply redo the operation if you are not happy with the
result.
If you draw over existing events, a new curve is created.
• If the automation subtrack is in Read mode already, you
can also add automation events by clicking with the Arrow
tool.
If you are trying to add a point between two existing points and the new
point doesn’t deviate from the existing curve, it will be removed by reduc-
tion as soon as you release the mouse button (see “About the Automa-
tion Reduction Level preference” on page 215).
Using the various modes of the Line tool to draw
automation curves
The Line tool can be very useful for drawing automation
events. The various modes are accessed by selecting the
Line tool on the toolbar, clicking on it a second time and
selecting from the pop-up menu that appears.
• Clicking and dragging with the Line tool in Line mode
shows a line in the automation subtrack and creates auto-
mation events aligned with this line.
This is a quick way to create linear fades, etc.
• The Line tool in Parabola mode works in the same way,
but aligns the automation events with a parabolic curve in-
stead, resulting in more “natural” curves and fades.
Note that the result depends on the direction from which you draw the
parabolic curve.
• The Sine, Triangle and Square Line tool modes create
automation events aligned with continuous curves.
If snap is activated and set to Grid, the period of the curve (the length of
one curve “cycle”) is determined by the grid setting. If you press [Shift]
and drag, you can set the period length manually, in multiples of the grid
value.
Selecting automation events
• To select a single automation curve point, click on it
with the Arrow tool.
The point turns red, and you can drag it in any horizontal or vertical direc-
tion between two points.
• To select multiple curve points, you can either [Shift]-
click or drag a selection rectangle with the Arrow tool.
All events inside the selection rectangle will become selected.
Drawing a selection rectangle around some points to select them.
When selected, the points can be moved in all directions
as “one”, i.e. the curve shape formed by the selected
points remains intact.
• To select all automation events on a subtrack, right-click
the automation subtrack in the Track list and choose “Se-
lect All Events” from the context menu.