User manual
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- VST Connections: Setting up input and output busses
- The Project window
- Playback and the Transport panel
- Recording
- Fades, crossfades and envelopes
- The Arranger track
- Folder tracks
- Using markers
- The Transpose functions
- The mixer
- Control Room (Cubase only)
- Audio effects
- VST Instruments and Instrument tracks
- Introduction
- VST Instrument channels vs. instrument tracks
- VST Instrument channels
- Instrument tracks
- Comparison
- Automation considerations
- What do I need? Instrument channel or Instrument track?
- Instrument Freeze
- VST instruments and processor load
- Using presets for VSTi configuration
- About latency
- External instruments (Cubase only)
- Surround sound (Cubase only)
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- VST Sound
- The MediaBay
- Track Presets
- Track Quick Controls
- Automation
- MIDI realtime parameters and effects
- MIDI processing and quantizing
- The MIDI editors
- The Logical Editor, Transformer and Input Transformer
- The Project Logical Editor
- Working with System Exclusive messages
- Working with the Tempo track
- The Project Browser
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Page Mode
- Changing the Zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting key, clef and time signature
- Transposing instruments
- Working order
- Force update
- Transcribing MIDI recordings
- About this chapter
- About transcription
- Getting the parts ready
- Strategies: Preparing parts for score printout
- Staff settings
- The Main tab
- The Options tab
- The Polyphonic tab
- The Tablature tab
- Situations which require additional techniques
- Inserting display quantize changes
- Strategies: Adding display quantize changes
- The Explode function
- Using “Scores Notes To MIDI”
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and display quantize
- Creating crossed voicings
- Automatic polyphonic voicing - Merge All Staves
- Converting voices to tracks - Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Printing and exporting pages
- Frequently asked questions
- Tips and Tricks
- Index
211
Automation
4. Deactivate Write mode and click the global Read but-
ton (“All Automation to Read Status”) in the mixer com-
mon panel.
Cubase is now in global Read mode.
5. Start playback, and watch the Mixer window.
All your actions performed during the previous playback will be repro-
duced exactly.
6. If you wish to redo anything that was recorded, acti-
vate Write mode again and start playback from the same
position.
• You can have Write and Read activated simultaneously,
if you want to watch and listen to your recorded mixer ac-
tions while you’re recording fader movements for another
mixer channel, etc.
Recording plug-in automation
Every parameter for every assigned effect or VST Instru-
ment can be automated in much the same manner as de-
scribed above.
The following example assumes that you have assigned an
insert effect to an FX channel track (see the chapter “Au-
dio effects” in the separate Plug-in Reference manual),
and describes how to record automation for the effect:
1. Select the FX channel track in the Track list and open
its Inserts section in the Inspector.
If the Inspector is hidden, click the “Show Inspector” button in the
Project window toolbar.
Ö Please note that not all Inspector tabs are shown by
default. You can show/hide Inspector sections by right-
clicking on an Inspector tab and activating/deactivating
the desired option(s).
Make sure to click on an Inspector tab and not on the empty area below
the Inspector, as this will open the Quick context menu instead.
2. Open the control panel for the effect by clicking the Edit
button (“e”) above the insert effect slot in the Inspector.
3. Click the Write button in the control panel to activate
Write mode.
All effects and VST Instruments have Write/Read buttons on their control
panels. These work exactly like the corresponding buttons in the mixer or
in the Track list. In the previous example, we used global Write mode, in
which mixer and parameter changes are recorded on all tracks, but in this
example we’ll use Write mode for one track only.
4. Start playback and adjust some effect parameters in
the control panel.
When you are finished, stop playback and return to the position where
you started playback.
5. Deactivate Write and instead click the Read button on
the control panel.
6. Start playback and watch the control panel.
All actions you performed during the previous playback will be repro-
duced exactly.
Assigning an automated parameter to an automation
subtrack
To select which parameter is currently shown in the auto-
mation track for the FX channel, proceed as follows:
1. Click on the parameter name for the FX channel auto-
mation subtrack.
The parameter name pop-up list is shown containing the automation pa-
rameters for the plug-in. The parameter(s) you previously automated are
indicated by an asterisk after the parameter name in the list.
Automated parameters for the PingPongDelay effect.
2. Select the parameter you wish to view from the para-
meter display pop-up.
The automation curve for the parameter you selected is displayed on the
automation subtrack.
• To view VST Instrument parameters, you use the same
method.
As described earlier, each VST Instrument has two or more automation
tracks – one for the plug-in settings and one for each VST Instrument
mixer channel.