User manual
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- VST Connections: Setting up input and output busses
- The Project window
- Playback and the Transport panel
- Recording
- Fades, crossfades and envelopes
- The Arranger track
- Folder tracks
- Using markers
- The Transpose functions
- The mixer
- Control Room (Cubase only)
- Audio effects
- VST Instruments and Instrument tracks
- Introduction
- VST Instrument channels vs. instrument tracks
- VST Instrument channels
- Instrument tracks
- Comparison
- Automation considerations
- What do I need? Instrument channel or Instrument track?
- Instrument Freeze
- VST instruments and processor load
- Using presets for VSTi configuration
- About latency
- External instruments (Cubase only)
- Surround sound (Cubase only)
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- VST Sound
- The MediaBay
- Track Presets
- Track Quick Controls
- Automation
- MIDI realtime parameters and effects
- MIDI processing and quantizing
- The MIDI editors
- The Logical Editor, Transformer and Input Transformer
- The Project Logical Editor
- Working with System Exclusive messages
- Working with the Tempo track
- The Project Browser
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Page Mode
- Changing the Zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting key, clef and time signature
- Transposing instruments
- Working order
- Force update
- Transcribing MIDI recordings
- About this chapter
- About transcription
- Getting the parts ready
- Strategies: Preparing parts for score printout
- Staff settings
- The Main tab
- The Options tab
- The Polyphonic tab
- The Tablature tab
- Situations which require additional techniques
- Inserting display quantize changes
- Strategies: Adding display quantize changes
- The Explode function
- Using “Scores Notes To MIDI”
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and display quantize
- Creating crossed voicings
- Automatic polyphonic voicing - Merge All Staves
- Converting voices to tracks - Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Printing and exporting pages
- Frequently asked questions
- Tips and Tricks
- Index
206
Automation
Automation track operations
Opening automation subtracks
Every track/channel has a number of automation sub-
tracks, each showing one automation parameter.
For audio, Instrument, group channel, MIDI and FX chan-
nel tracks, there are two ways you can open an automa-
tion subtrack for the channel:
• By right-clicking the track in the Track list and selecting
“Show Automation” from the context menu.
• By clicking on the left border of the track in the Track
list. (When you position the mouse pointer over the lower
left corner of the track, the respective arrow icon (“Show/
Hide Automation”) appears.)
An automation subtrack opens in the Track list, and a straight black hori-
zontal line is shown as well as a greyed out mirror image of the audio
events’ waveform (or MIDI events for MIDI tracks) in the event display. By
default, the volume parameter is assigned to the first subtrack.
Click here to open an automation subtrack.
For VST Instruments (not for Instrument tracks, see above),
automation tracks appear automatically when you add them
in the VST Instruments window.
For ReWire channels and input/output busses, automa-
tion tracks are automatically created when the Write auto-
mation button (see “Using Write/Read automation” on
page 209) is activated in either:
• The corresponding channel strip in the mixer.
• The corresponding Channel Settings window.
• The mixer common panel (“All Automation to Write Status”).
• The area above the Track list (“All Automation to Write Status”).
Opening additional automation subtracks
• If you position the mouse pointer over the lower left cor-
ner of an automation subtrack, a “+” sign (“Append Auto-
mation Track”) will appear. If you click this (or indeed, if
you click anywhere on the left border of the track), another
subtrack opens, by default showing the next parameter in
the Add Parameter list (see below).