User manual
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- VST Connections: Setting up input and output busses
- The Project window
- Playback and the Transport panel
- Recording
- Fades, crossfades and envelopes
- The Arranger track
- Folder tracks
- Using markers
- The Transpose functions
- The mixer
- Control Room (Cubase only)
- Audio effects
- VST Instruments and Instrument tracks
- Introduction
- VST Instrument channels vs. instrument tracks
- VST Instrument channels
- Instrument tracks
- Comparison
- Automation considerations
- What do I need? Instrument channel or Instrument track?
- Instrument Freeze
- VST instruments and processor load
- Using presets for VSTi configuration
- About latency
- External instruments (Cubase only)
- Surround sound (Cubase only)
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- VST Sound
- The MediaBay
- Track Presets
- Track Quick Controls
- Automation
- MIDI realtime parameters and effects
- MIDI processing and quantizing
- The MIDI editors
- The Logical Editor, Transformer and Input Transformer
- The Project Logical Editor
- Working with System Exclusive messages
- Working with the Tempo track
- The Project Browser
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Page Mode
- Changing the Zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting key, clef and time signature
- Transposing instruments
- Working order
- Force update
- Transcribing MIDI recordings
- About this chapter
- About transcription
- Getting the parts ready
- Strategies: Preparing parts for score printout
- Staff settings
- The Main tab
- The Options tab
- The Polyphonic tab
- The Tablature tab
- Situations which require additional techniques
- Inserting display quantize changes
- Strategies: Adding display quantize changes
- The Explode function
- Using “Scores Notes To MIDI”
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and display quantize
- Creating crossed voicings
- Automatic polyphonic voicing - Merge All Staves
- Converting voices to tracks - Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Printing and exporting pages
- Frequently asked questions
- Tips and Tricks
- Index
303
Track Presets
Data saved in MIDI track presets
• MIDI Modifiers (Transpose, etc.)
• MIDI Inserts (FX)
• Output + Channel or Program Change
• Input Transformer
• Volume + Pan
And also:
• Staff settings
• Color settings
Ö Note that volume and pan will be restored only when
creating a new track from a track preset.
Multi track presets
If you select more than one track when creating a track
preset, the settings of all selected tracks will be saved as
one multi track preset. Since you can apply a multi track
preset only if the target tracks are of the same type, num-
ber and sequence as the tracks in the track preset, multi
track presets are useful when you have a reoccurring situ-
ation with very similar tracks and settings.
For example, this would be the case for:
• Recording setups that require several microphones, e.g.
when recording a drum set or a choir, where you record al-
ways under the same conditions and have to edit the re-
sulting tracks in a similar way.
• Layered tracks, where you use several tracks to gener-
ate a certain sound instead of manipulating only one track.
Data saved in multi track presets
For each track type, the respective track preset parame-
ters are saved in the same sequence as the tracks in the
Project window.
VST presets
As of VST3, VST presets make it easy for you to work with
VST plug-ins and instruments, substituting the .fxp and
.fxb files of the VST2 standard.
There are two kinds of VST presets:
• VST presets based on effect plug-ins
• VST presets based on VST Instrument plug-ins
Ö In this manual, the wording “VST presets” stands for
VST3 Instrument presets, unless stated otherwise.
VST effect plug-in presets
VST effect plug-ins are available in VST3 and VST2 for-
mat, for example as insert effects like Expander or Limiter.
Therefore, VST effect presets can be part of audio track
presets, see also “VST Sound” on page 284.
VST (Instrument) presets
VST3 (Instrument) presets (extension .vstpreset) are me-
dia files that can be managed in the Sound Browser and
to which you can assign tags. VST presets are also listed
in dialogs like the “Add Track” dialog, see below.
The VST presets behave like instrument track presets in
the context of the Project window and contain a VST In-
strument and its settings but no modifiers, MIDI inserts, in-
serts or EQ settings:
• You can create instrument tracks from VST presets just
like from instrument track presets, see “Creating tracks
from track presets or VST presets” on page 306.
In the Inspector of the new instrument track, the VST Instrument, the se-
lected program and the name of the applied VST preset are displayed.
• You can apply VST presets to instrument tracks just like
instrument track presets, see “Applying audio, MIDI and
instrument track presets” on page 307.
• When selecting VST presets in the Browse presets
section or the Sound Browser, you can preview them like
instrument track presets, see “Creating tracks from track
presets or VST presets” on page 306.
• Like with instrument tracks presets, you can extract the
“sound” of VST presets, see “Extracting sound from an in-
strument track or VST preset” on page 308.
The programs of VST2 plug-ins also can be converted to
VST3 presets.