User manual
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- VST Connections: Setting up input and output busses
- The Project window
- Playback and the Transport panel
- Recording
- Fades, crossfades and envelopes
- The Arranger track
- Folder tracks
- Using markers
- The Transpose functions
- The mixer
- Control Room (Cubase only)
- Audio effects
- VST Instruments and Instrument tracks
- Introduction
- VST Instrument channels vs. instrument tracks
- VST Instrument channels
- Instrument tracks
- Comparison
- Automation considerations
- What do I need? Instrument channel or Instrument track?
- Instrument Freeze
- VST instruments and processor load
- Using presets for VSTi configuration
- About latency
- External instruments (Cubase only)
- Surround sound (Cubase only)
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- VST Sound
- The MediaBay
- Track Presets
- Track Quick Controls
- Automation
- MIDI realtime parameters and effects
- MIDI processing and quantizing
- The MIDI editors
- The Logical Editor, Transformer and Input Transformer
- The Project Logical Editor
- Working with System Exclusive messages
- Working with the Tempo track
- The Project Browser
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Page Mode
- Changing the Zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting key, clef and time signature
- Transposing instruments
- Working order
- Force update
- Transcribing MIDI recordings
- About this chapter
- About transcription
- Getting the parts ready
- Strategies: Preparing parts for score printout
- Staff settings
- The Main tab
- The Options tab
- The Polyphonic tab
- The Tablature tab
- Situations which require additional techniques
- Inserting display quantize changes
- Strategies: Adding display quantize changes
- The Explode function
- Using “Scores Notes To MIDI”
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and display quantize
- Creating crossed voicings
- Automatic polyphonic voicing - Merge All Staves
- Converting voices to tracks - Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Printing and exporting pages
- Frequently asked questions
- Tips and Tricks
- Index
302
Track Presets
Data saved in instrument track presets
•Audio Insert FX
•Audio EQ
• Audio Volume + Pan
• Audio Input Gain + Phase
• MIDI Insert FX
•MIDI Track Parameters
• Input Transformer
•VST Instrument
And also:
• Staff settings
• Color settings
Ö Volume, pan, input gain and input phase will be re-
stored only when creating a new track from a track preset.
MIDI track presets
MIDI tracks offer more possibilities than instrument tracks;
therefore, they should be used for multi-timbral VST In-
struments and external instruments.
Due to the resulting complex settings, more details have
to be taken into account when working with MIDI track
presets, to ensure that the saved settings are really usable
as presets for new tracks.
• To ensure that saved MIDI track presets for external in-
struments will work again with the same instrument later,
install the instrument as MIDI device, because in this case
the MIDI interface and the connecting ports are irrelevant.
(For this to work, the MIDI device has to have exactly the
same name as in the original setup.) For more information
about this, see the separate pdf document “MIDI Devices”.
Include MIDI Channel or MIDI Patch
There is an additional Include option when creating MIDI
track presets:
• Choose “MIDI Patch” if you want to save the MIDI track
preset with the currently set patch. This is useful if your ex-
ternal MIDI device offers sounds as certain patches but
does not require any specific channel settings.
• Choose “MIDI Channel” if you want to save the MIDI
track preset with the currently set channel. This is useful if
you have the sounds of an external device always on the
same channel, e.g. strings on channel 12, trumpets on
channel 13.
Ö The choice is exclusive – you can either save the
channel or the patch, but not both.
Example 1: Multi-timbral external instrument
Assume you have a multi-timbral external instrument (for
example, a MIDI Expander), with all sounds available on all
channels, but the sounds (patches) might change.
In this case, set it up as an external instrument, open a
MIDI track and select it as output. In the Programs List,
select a patch. Then save the MIDI track preset with the
patch included.
Example 2: Multi-timbral external instrument with pre-
configured setup
In a rarer case we have a multi-timbral external instrument
(for example, a Sampler) which is completely pre-config-
ured. There is no sound (patch) to configure, but only the
device and the MIDI channel to know.
In this case, include the channel in the MIDI track preset
so that the correct channel will be called up.
Example 3: VSTi as pre-configured setup
If you want to use a MIDI track preset for a pre-configured
VST Instrument setup, the following conditions have to be
met:
• The VST Instrument(s) are installed in the VST Instruments
window.
• The VST Instrument patches have not been changed since the
track preset was saved (that means for example that no other
FXP/FXB was installed in the meantime).
To ensure this, use a template project with the VSTi setup
included and put the sounds (track presets) of this tem-
plate project into specific subfolders, as they only work
within this setup.