User manual
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- VST Connections: Setting up input and output busses
- The Project window
- Playback and the Transport panel
- Recording
- Fades, crossfades and envelopes
- The Arranger track
- Folder tracks
- Using markers
- The Transpose functions
- The mixer
- Control Room (Cubase only)
- Audio effects
- VST Instruments and Instrument tracks
- Introduction
- VST Instrument channels vs. instrument tracks
- VST Instrument channels
- Instrument tracks
- Comparison
- Automation considerations
- What do I need? Instrument channel or Instrument track?
- Instrument Freeze
- VST instruments and processor load
- Using presets for VSTi configuration
- About latency
- External instruments (Cubase only)
- Surround sound (Cubase only)
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- VST Sound
- The MediaBay
- Track Presets
- Track Quick Controls
- Automation
- MIDI realtime parameters and effects
- MIDI processing and quantizing
- The MIDI editors
- The Logical Editor, Transformer and Input Transformer
- The Project Logical Editor
- Working with System Exclusive messages
- Working with the Tempo track
- The Project Browser
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Page Mode
- Changing the Zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting key, clef and time signature
- Transposing instruments
- Working order
- Force update
- Transcribing MIDI recordings
- About this chapter
- About transcription
- Getting the parts ready
- Strategies: Preparing parts for score printout
- Staff settings
- The Main tab
- The Options tab
- The Polyphonic tab
- The Tablature tab
- Situations which require additional techniques
- Inserting display quantize changes
- Strategies: Adding display quantize changes
- The Explode function
- Using “Scores Notes To MIDI”
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and display quantize
- Creating crossed voicings
- Automatic polyphonic voicing - Merge All Staves
- Converting voices to tracks - Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Printing and exporting pages
- Frequently asked questions
- Tips and Tricks
- Index
301
Track Presets
Introduction
Track presets are templates that you can create from au-
dio, MIDI or instrument tracks – or several of these tracks.
With these track presets, you can then create new tracks
or apply them to existing tracks of the same type.
The idea behind track presets is:
• To allow you to quickly access, browse, select, change
and preview sounds.
• To give you an easy way to reuse channel settings
across projects.
Track presets are part of the VST Sound concept (see
“VST Sound” on page 284) and organized in the Sound
Browser (a view of the MediaBay, see “The MediaBay” on
page 287). This allows you to categorize track presets
with tags like “EPiano” or “Jazz” and search for these tags.
Related topics
Cubase offers a variety of related functions that allow you
to handle presets of program settings:
• You can save and load channel settings in the mixer (not
for MIDI), see “Saving mixer settings” on page 141.
• You can save and load inserts rack and EQ presets, see
“Inserts and EQ settings from track presets” on page 310.
• You can export and import tracks as track archives (Cu-
base only), see “Exporting and importing tracks (Cubase
only)” on page 460.
Types of track presets
There are four kinds of track presets:
• Audio
• Instrument (this also includes certain VST3 presets, see
“VST (Instrument) presets” on page 303)
• MIDI
• Multi (any number of the three preset types above in any
sequence)
Since the purpose of track presets is to make sound
handling easier, only parameters are saved that are rele-
vant for the sound of a certain track.
Audio track presets
Track presets for audio tracks include all inserts and ef-
fects that “define” the sound. Since there are big differ-
ences between the typical settings for a trumpet and a
human voice, for example, audio track presets are a quick
way to optimize your track.
For example, you can:
• Easily audition your audio track with the factory presets.
• Use the factory presets as a starting point for your own
editing.
• Save the audio settings that you optimized for an artist
you often work with and use the resulting audio track pre-
set for future recordings.
Data saved in audio track presets
• Insert FX settings
• EQ settings (including VST effect presets)
•Volume + Pan
• Input Gain + Phase
Ö Note that volume, pan, input gain and input phase will
be restored only when creating a new track from a track
preset.
Instrument track presets
Instrument track presets are best choice when handling
sounds of simple, mono-timbral VST Instruments. Like the
instrument track, they offer both MIDI and audio features.
• You can use instrument track presets like the audio
track presets above for auditioning your tracks, inspiration,
or saving your preferred sound settings.
• In addition, you can directly extract sounds from instru-
ment track presets and VST presets for use in instrument
tracks.
VST presets also behave like instrument track presets,
see “VST (Instrument) presets” on page 303.